Michele Chan

People

The Body is Where Critique Lives: Interview with the Curators of “Human Being Human”

ArtAsiaPacific spoke with Tamares Goh and Aaron Teo ahead of the opening of “Human Being Human: Selections from the Collection of John and Cheryl Chia” at The Private Museum, Singapore. Michele Chan

Issue

Big Story: A Season of Goodbyes

MICHELE CHAN

Issue

Auction Report: A Market Catching Its Breath

Michele Chan

Issue

One to Watch: Han Mengyun

MICHELE CHAN

Issue

Hong Kong: Practicing Difference: Interview with Jeremy Ip

MICHELE CHAN

Issue

Exhibitions of 2025: Lee Bul’s “From 1998 to Now”

Michele Chan

Issue

Exhibitions of 2025: Samson Young’s “Pavilion”

Michele Chan

Issue

Exhibitions of 2025: Yukinori Yanagi’s “ICARUS”

Michele Chan

Issue

Exhibitions of 2025: Tehching Hsieh’s “Lifeworks 1978–1999”

Michele Chan

Issue

Up Close: Hu Xiaoyuan

Michele Chan

People

New Currents: Zhang Mingxuan’s Politics of Skin

The emerging artist’s abject forms acquire agency through a spectral “second skin.” MICHELE CHAN

Shows

The Fisherman and the Woodcutter: Duan Jianyu’s Animal Reckoning

Pairing slapdash figuration with ethereally radiant hues, the midcareer Chinese artist crafts a macabre fable for contemporary existence. MICHELE CHAN

Market

Ground Zero: Hong Kong’s Debut Marquee Auction Week

A new Asia record for Picasso, mysteriously shrinking Nara estimates, and discount buys for postwar Asian art. Michele Chan

Market

The Old Normal: Notes from Seoul Art Week 2025

The question needs to stop being whether the market is doomed; we should prioritize the art, the talent, and the discourse—and efforts must start regionally. Michele Chan