Editor’s Letter: Beings in Transition

Editor’s Letter: Beings in Transition

Kochi-Muziris Biennale 2025–26: For the Time Being

Kochi-Muziris Biennale 2025–26: For the Time Being

Fragile Monuments: Interview with Pio Abad

Fragile Monuments: Interview with Pio Abad

The House of the Heart: Trevor Yeung, Vessel Poetics, and Failure as Transformation

The House of the Heart: Trevor Yeung, Vessel Poetics, and Failure as Transformation

In Search of a New Image: On Bi Gan’s “Resurrection”

In Search of a New Image: On Bi Gan’s “Resurrection”

News

Cultural Institutions in Beirut Suspend Operations Amid Escalating Conflict

Cultural Institutions in Beirut Suspend Operations Amid Escalating Conflict

Tehran’s UNESCO-Listed Golestan Palace Damaged by US-Israeli Strikes

Tehran’s UNESCO-Listed Golestan Palace Damaged by US-Israeli Strikes

Faig Ahmed to Represent Azerbaijan at 2026 Venice Biennale

Faig Ahmed to Represent Azerbaijan at 2026 Venice Biennale

Gulf Art Institutions Shutter as Iran Retaliates for US-Israeli Strikes

Gulf Art Institutions Shutter as Iran Retaliates for US-Israeli Strikes

People

Fragile Monuments: Interview with Pio Abad

Fragile Monuments: Interview with Pio Abad

A Space to Breathe: Kulapat Yantrasast’s Dib Bangkok

A Space to Breathe: Kulapat Yantrasast’s Dib Bangkok

Sacred Thresholds: Interview with Gulnur Mukazhanova

Sacred Thresholds: Interview with Gulnur Mukazhanova

Bring the Noise: Interview with Marco Fusinato

Bring the Noise: Interview with Marco Fusinato

Shows

Kochi-Muziris Biennale 2025–26: For the Time Being

Kochi-Muziris Biennale 2025–26: For the Time Being

Heigh-Ho, It’s Off to Work We Glow

Heigh-Ho, It’s Off to Work We Glow

Time as Witness: Ai Weiwei at Nature Morte

Time as Witness: Ai Weiwei at Nature Morte

Jacqueline Kiyomi Gork: Sounding the Wound

Jacqueline Kiyomi Gork: Sounding the Wound

Current Magazine Issue

Issue 147

Editor’s Letter: Beings in Transition

Ching Ho Cheng: The Poetics of Process

Wong Ping on Shūji Terayama

Geumhyung Jeong: Under Construction

From the Archive

RIRKRIT TIRAVANIJA, Untitled (demonstration no. 145), 2007, graphite on paper, 8.3 x 11.8 in. Collection of Craig Robins, Miami. Courtesy Gavin Brown’s Enterprise, New York.

PERSPECTIVE: Rirkrit Tiravanija

HOMEBOUND, 2000, Kitchen utensils, furniture, electric wire, light bulbs, computerized dimmer unit, amplifier, speakers, dimensions variable. Installation view at Duveen Galleries,

Mona Hatoum: Domestic Insecurities