Haneyl Choi: The Body as Sculptural Field

Haneyl Choi: The Body as Sculptural Field

Ole Scheeren on the Suseong Continuum

Ole Scheeren on the Suseong Continuum

“Entangled and Woven” at the Whitworth

“Entangled and Woven” at the Whitworth

Muralnomad: Batima Zaurbekova’s “Threads of Heritage”

Muralnomad: Batima Zaurbekova’s “Threads of Heritage”

Fieldwork as Form: The International Ethnographic Triennial

Fieldwork as Form: The International Ethnographic Triennial

News

Patrick Flores and Chris Lee to Depart National Gallery Singapore

Patrick Flores and Chris Lee to Depart National Gallery Singapore

Jogen Chowdhury, 1939–2026

Jogen Chowdhury, 1939–2026

AFIELD Announces 2026 Fellowship Recipients

AFIELD Announces 2026 Fellowship Recipients

Róng Museum of Art Reveals Its Curatorial Team

Róng Museum of Art Reveals Its Curatorial Team

People

Ole Scheeren on the Suseong Continuum

Ole Scheeren on the Suseong Continuum

Community and Sustainability: Notes from Scotland

Community and Sustainability: Notes from Scotland

The Choreopolitics of Looking: Interview with Paul Pfeiffer

The Choreopolitics of Looking: Interview with Paul Pfeiffer

Anne Imhof on Discipline, Agency, and “House of Swans”

Anne Imhof on Discipline, Agency, and “House of Swans”

Shows

“I Dwell in Possibility” by the Museum of Contemporary Art Ahmedabad and GALLERYSKE

“I Dwell in Possibility” by the Museum of Contemporary Art Ahmedabad and GALLERYSKE

The Alien in the Archive: Tony Albert at the MCA Australia

The Alien in the Archive: Tony Albert at the MCA Australia

The Rhythm of a Dream: Qi Lei at Ben Brown Fine Arts

The Rhythm of a Dream: Qi Lei at Ben Brown Fine Arts

Muralnomad: Batima Zaurbekova’s “Threads of Heritage”

Muralnomad: Batima Zaurbekova’s “Threads of Heritage”

Current Magazine Issue

Issue 150

Editor’s Letter: When Categories Collapse

Haneyl Choi: The Body as Sculptural Field

Liu Wei: Bare Life, Bare Love

From the Archive

Journeys Across Sound: An Interview with Tarek Atoui

Journeys Across Sound: An Interview with Tarek Atoui

YAYOI KUSAMA, Self-Obliteration, 1967, black-and-white photograph, ink, 18.2 x 24 cm, courtesy Ota Fine Arts, Tokyo.

FROM THE ARCHIVE

Yayoi Kusama: An Unwritten Biography