Editor’s Letter
- Notes on Renewal by Elaine W. Ng
News
- Big Story: A Season of Goodbyes by Michele Chan
- Public Domain: Global Discourse, Global Conversation? by The Editors
- Obituaries by The Editors
- Controversy: Fractures and Fault Lines by The Editors
- Career Moves: The Great Reshuffle by The Editors
- Infrastructure: Building Through Uncertainty by The Editors
- Awards: Honors That Elevate by The Editors
- Art Fair Report: Diminishing Returns by Louis Lu
- Auction Report: A Market Catching Its Breath by Michele Chan
- Looking Ahead: The Chrysalis Phase by Elaine W. Ng
Artists of the Year
- Artists of 2025: Shilpa Gupta by Annette Meier
- Artists of 2025: Ayoung Kim by Louis Lu
- Artists of 2025: Ho Tzu Nyen by Louis Lu
- Artists of 2025: Saodat Ismailova by Elaine W. Ng
- Artists of 2025: Gala Porras-Kim by Annette Meier
- One to Watch: Han Mengyun by Michele Chan
City Reports
- Brisbane & Canberra: Hope as Practice: Interview with Tony Albert by Annette Meier
- Tokyo: Living Memory: Interview with Yukie Kamiya by Louis Lu
- Seoul: Beyond the K-Wave: An Art World at Crossroads by Valentina Buzzi
- Taipei: Open-Call Pageantry at the Precipice by Zian Chen
- Shanghai: The Zone of Dissonance: Interview with X Zhu-Nowell by Louis Lu
- Manila: Introspections and Pauses by Bea Belen-Ferrer
- Hong Kong: Practicing Difference: Interview with Jeremy Ip by Michele Chan
- Singapore: Finding Its Feet: An Art Scene in Transition by Yvonne Wang
- Bangkok: On the Side of Angels by Kittima Chareeprasit
- Delhi: Worlds Within Worlds by Meera Menezes
- Almaty: Kazakhstan’s Cinema Reborn: Interview with Jamilya Nurkalieva by Elaine W. Ng
- Riyadh: A Generator of Imagination: Interview with Abdulnasser Gharem by Elaine W. Ng
- Istanbul: Resurgent Intelligentsia by Matt A. Hanson
- Los Angeles: Mapping the Aftermath by Jennifer S. Li
Festivals of the Year
- Festivals of 2025: Islamic Arts Biennale by The Editors
- Festivals of 2025: Sharjah Biennial 16 by The Editors
- Festivals of 2025: Bukhara Biennial by The Editors
- Festivals of 2025: Aichi Triennale by The Editors
- Festivals of 2025: Istanbul Biennial by The Editors
- Festivals of 2025: Singapore Biennale by The Editors
- Festivals of 2025: Taipei Biennial by The Editors
- Festivals of 2025: Shanghai Biennale by The Editors
- Festivals of 2025: Thailand Biennale Phuket by The Editors
- Festivals of 2025: Kochi-Muziris Biennale by The Editors
Exhibitions of the Year
- Exhibitions of 2025: “65,000 Years: A Short History of Australian Art” by Elaine W. Ng
- Exhibitions of 2025: “The Architecture of Sou Fujimoto: Primordial Future Forest” by Louis Lu
- Exhibitions of 2025: “Lee Bul: From 1998 to Now” by Michele Chan
- Exhibitions of 2025: “Samson Young: Pavilion” by Michele Chan
- Exhibitions of 2025: “Early Philippine Contemporary Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan” by Elaine W. Ng
- Exhibitions of 2025: “Ma Qiusha: A Young Man” by Louis Lu
- Exhibitions of 2025: “Stay Connected: Art and China Since 2008” by Arphy Li
- Exhibitions of 2025: “Heman Chong: This is a dynamic list and may never be able to satisfy particular standards for completeness” by Elaine W. Ng
- Exhibitions of 2025: “Araya Rasdjarmrearnsook: The Bouquet and the Wreath” by Annette Meier
- Exhibitions of 2025: “Ala Younis: Past of a Temporal Universe” by Elaine W. Ng
- Exhibitions of 2025: “Yukinori Yanagi: ICARUS” by Michele Chan
- Exhibitions of 2025: “A Story of South Asian Art: Mrinalini Mukherjee and Her Circle” by Elaine W. Ng
- Exhibitions of 2025: “Htein Lin: Escape” by Annette Meier
- Exhibitions of 2025: “Tehching Hsieh: Lifeworks 1978–1999” by Michele Chan
- Exhibitions of 2025: “Ruth Asawa: Retrospective” by Annette Meier
Inside Burger Collection
- Kong Chun Hei: Thinking Through Space by Harry C. H. Choi
Previews
- Up Next: 2026 by Arphy Li
