Editor’s Letter
- Building Equitable Spaces By Elaine W. Ng
Reports
- One on One: Lin Jingjing on Wael Shawky
- Dispatch: Milan by Manuela Lietti
- Main News: Koyo Kouoh’s Legacy and Uncertainty for Venice Biennale 2026 by The Editors
- News Roundup: Career Moves, Infrastructure, Controversies, Public Domain by The Editors
- News: Awards & Obituaries by The Editors
- The Point: Artists Under Arrest by Matt A. Hanson
- Whispering Gallery: Surfing the Tides of Change by DT
- Art Fair Report: Quiet Times by Louis Lu & Michele Chan
- Previews by The Editors
Profiles
- New Currents: Vien Valencia by Annabel Preston
- New Currents: Yi To by Annette Meier
- New Currents: Xingzi Gu by Louis Lu
- Hyun Nahm: Entropic Cities by Andy St. Louis
- Ali Kazma: The Lens of Thought by Matt A. Hanson
- Kiang Malingue: Stepping Out by Michele Chan
Where I Work
- Nasser Al Salem: Playing with the Past by Elaine W. Ng
Essays
- Thicker Than Water by Johanna Bear
Features
- Christine Sun Kim: Of Sound and Identity by Xintian Tina Wang
- When Artists Commission Artists: An Asian Perspective by Ryan Su
- Up Close: Richard Hawkins by Louis Lu
- Up Close: Xindian Boys by Michele Chan
- Up Close: Sopheap Pich by Annette Meier
- Inside Burger Collection: Ranti Bam: My Works Have Soul by Larissa Kikol
Reviews
- San Francisco: “Ruth Asawa: Retrospective” by Arthur Solway
- Sydney: “Akil Ahamat: Extinguishing Hope” by Yuna Lee
- Seoul: “Tromarama: Ping Inside Noisy Giraffe” by Stefanie Hessler
- Shanghai: “Wawi Navarroza: Wild at Heart” by Hung Duong
- Hong Kong: “Lining Revealed—A Journey Through Folk Wisdom and Contemporary Vision” by Louis Lu
- Singapore: “City of Others: Asian Artists in Paris, 1920s–1940s” by Niamh Cullinane
- Mumbai: “Rithika Merchant: Pillars of Fruit and Bone” by Rabia Kapoor
- Dubai: “Trần Lương: Tầm Tã – Soaked in the Long Rain” by Annette Meier
- Milan: “Yukinori Yanagi: ICARUS” by Tom Denman
- Houston: “Hung Hsien: Between Worlds” by Jennifer S. Li
The Sketch
- An-My Lê by Sanle Yan
