Editor’s Letter
- World Making by Elaine W. Ng
Reports
- One on One: Yu Cheng-Ta on Ming Wong
- Dispatch: Chiang Mai by Valerie Nikolay
- Main News: Seismic Shifts Amid Market Contraction by The Editors
- News Roundup: Career Moves, Infrastructure, Controversies, Public Domain by The Editors
- News: Awards & Obituaries by The Editors
- The Point: On the Islamic Arts Biennale: What is a canon good for? by Béatrice Grenier
- Whispering Gallery: The Art of the Pivot by DT
- Previews by The Editors
Profiles
- New Currents: Heeyoung Noh by Annette Meier
- New Currents: Cetus Kuo Chin-Yun by Arphy Li
- New Currents: Leah Ying Lin by Stella Wu
- Miwako Tezuka: The Mechanism of Presence by Elaine W. Ng
- Ayoung Kim: A Latent Promise by Louis Lu
Where I Work
- Mella Jaarsma: Second Skin by Tiffany Leung
Essays
Features
- To Curate a Region by Patrick Flores
- An-My Lê: Celestial Traces by Sophia Powers
- Up Close: Pan Daijing by Louis Lu
- Up Close: Hu Xiaoyuan by Michele Chan
- Up Close: Thảo Nguyên Phan by Annette Meier
- Inside Burger Collection: To Boldly Go: Jack Whitten’s Expansive Art by Stuart Horodner
Reviews
- New York: “Monstrous Beauty: A Feminist Revision of Chinoiserie” by Kelly Ma
- Seoul: “Lee Bul: From 1998 to Now” by Valentina Buzzi
- Taipei: “Yoshitomo Nara: Traveling with Hazy Humid Day” by Jennifer S. Li
- Shanghai: “Conversation with the Stone” by Arthur Solway
- Hong Kong: “Tidal Weavers: Islands Exchange” by Nick Yu & Junko Asano
- Yogyakarta: “Arin Dwihartanto Sunaryo: Terra Nova: Bentang Lain (Other Scapes)” by Ibrahim Soetomo
- Bangkok: “Sung Tieu and Ho Rui An: On-Air, Off-Air” by Annette Meier
- Almaty: “Almagul Menlibayeva: I Understand Everything” by Elise Morton
The Sketch
- Ching Ho Cheng by Christina Shen
