Mona Hatoum: Domestic Insecurities

HOMEBOUND, 2000, Kitchen utensils, furniture, electric wire, light bulbs, computerized dimmer unit, amplifier, speakers, dimensions variable. Installation view at Duveen Galleries, Tate Britain, London. Photo by Edward Woodman. Courtesy the artist and Galleria Continua, San Gimignano/Beijing.

Issue

Dec 31, 2025

Art Fair Report: Diminishing Returns

Public Domain: Global Discourse, Global Conversation?

Issue

Dec 31, 2025

Public Domain: Global Discourse, Global Conversation?

Issue

Dec 31, 2025

Editor’s Letter: Notes on Renewal

Issue

Dec 31, 2025

Artists of 2025: Ayoung Kim

Issue

Dec 31, 2025

Artists of 2025: Ho Tzu Nyen

Issue

Dec 31, 2025

Artists of 2025: Saodat Ismailova

Exhibitions of 2025: “The Architecture of Sou Fujimoto: Primordial Future Forest”

Issue

Dec 31, 2025

Exhibitions of 2025: “The Architecture of Sou Fujimoto: Primordial Future Forest”

Exhibitions of 2025: “Early Philippine Contemporary  Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan”

Issue

Dec 31, 2025

Exhibitions of 2025: “Early Philippine Contemporary  Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan”

Related articles

Art Fair Report: Diminishing Returns

Public Domain: Global Discourse, Global Conversation?

Editor’s Letter: Notes on Renewal

Artists of 2025: Ayoung Kim

Artists of 2025: Ho Tzu Nyen

Artists of 2025: Saodat Ismailova

Exhibitions of 2025: “The Architecture of Sou Fujimoto: Primordial Future Forest”

Exhibitions of 2025: “Early Philippine Contemporary Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan”

Exhibitions of 2025: “Early Philippine Contemporary  Art (1969–1985), Works and Documents from the Collection of Judy Freya Sibayan”