Editor’s Letter
- Editor’s Letter: World Making by Elaine W. Ng
Reports
- One on One: Yu Cheng-Ta on Ming Wong by Yu Cheng-Ta
- Dispatch: Chiang Mai by Valerie Nikolay
- Seismic Shifts Amid Market Contraction by The Editors
- News Roundup: Career Moves, Infrastructure, Controversies, Public Domain by The Editors
- News: Awards & Obituaries by The Editors
- The Point: On the Islamic Arts Biennale: What is a canon good for? by Béatrice Grenier
- Whispering Gallery: The Art of the Pivot by DT
- Previews by The Editors
Profiles
- New Currents: Heeyoung Noh by Annette Meier
- New Currents: Cetus Kuo Chin-Yun by Arphy Li
- New Currents: Leah Ying Lin by Stella Wu
- Ayoung Kim: A Latent Promise by Louis Lu
- Miwako Tezuka: The Mechanism of Presence by Elaine W. Ng
Where I Work
- Mella Jaarsma: Second Skin by Tiffany Leung
Essays
Features
- An-My Lê: Celestial Traces by Sophia Powers
- To Curate a Region by Patrick Flores
- Up Close: Hu Xiaoyuan by Michele Chan
- Up Close: Pan Daijing by Louis Lu
- Up Close: Thao Nguyen Phan by Annette Meier
- Inside Burger Collection: To Boldly Go: Jack Whitten’s Expansive Art by Stuart Horodner
Reviews
- New York: Monstrous Beauty: A Feminist Revision of Chinoiserie by Kelly Ma
- Seoul: Lee Bul: From 1998 to Now by Valentina Buzzi
- Taipei: Yoshitomo Nara: Traveling with Hazy Humid Day by Jennifer S. Li
- Shanghai: Conversation with the Stone by Arthur Solway
- Hong Kong: Tidal Weavers: Islands Exchange by Nick Yu & Junko Asano
- Yogyakarta: Arin Dwihartanto Sunaryo: Terra Nova: Bentang Lain (Other Scapes) by Ibrahim Soetomo
- Bangkok: Sung Tieu and Ho Rui An: On-Air, Off-Air by Annette Meier
- Almaty: Almagul Menlibayeva: I Understand Everything by Elise Morton
The Sketch
- Ching Ho Cheng by Christina Shen
