Work in progress from MANDY EL-SAYEGH’s Blessings series, 2022- , oil, acrylic, collaged and silkscreened elements. Photo by Rory Strudwick. Courtesy the artist.
Mandy El-Sayegh’s affinity for the Financial Times newspaper stems from an unlikely source: its flesh-toned pages. Incorporating the publication’s text and images into mixed-media works, the London-raised, Malaysian-born artist blurs the line between assemblage, collage, and painting.
