Issue

<i>Post-Conjunction 11-3</i>, 2011, mixed media, 120 x 180 cm. Photo by Chunho An. Courtesy the artist and Kukje Gallery, Seoul/Busan.

Ha Chong-Hyun: Method and Materiality

Installation view of <b>ELMGREEN & DRAGSET'</b>s <i>What's Left</i>, 2021, silicone, clothing, wire rope, and balancing pole, dimensions variable, at 'Useless Bodies?

Inside Burger Collection: Elmgreen & Dragset

Blast from the Past

Blast from the Past

Installation view of <b>JUMANA MANNA</b>'s

Antwerp: Multipolar Horizon

<b>FITRI DK</b>, <i>Kami Muzi Dia Wawo Tana</i>, 2019, woodcut print on paper, 80 x 60 cm. Courtesy the artist.

Being Together

<b>PIERRE HUYGHE</b>, <i>Streamside Day</i>, 2003, still from 16 mm film and video transferred to digital Betacam with color and sound: 26 min. Courtesy the artist and Marian Goodm

One on One: James Clar on Pierre Huyghe

<b>NURBOL NURAKHMET</b>, <i>Wednesday</i>, 2018, oil on canvas, 200 × 200 cm. Courtesy the artist.

Dispatch: Almaty

Portrait of <b>ATONG ATEM</b>. Photo by Kristoffer Paulsen. Courtesy the Art Gallery of New South Wales, Sydney.

News Roundup: Controversy, Career Moves, Public Domain

<b>BHUPEN KHAKHAR</b>, <i>Sheikh Shoe Mart</i>, 1997, oil on canvas, 83.8 × 83.8 cm. Courtesy Sotheby's.

Auction Report: Confidence Boost

Installation view of <b>EMILY FLOYD'</b>s <i>Surplus Labor</i> (2022) series, presented by Anna Schwartz Gallery at the Melbourne Art Fair, 2022. Courtesy the artist and Anna Schwa

Art Fair Report: Tokens of the Future

MARCELLO KWAN

Whispering Gallery: A Tale of Many Covids

Exterior view of documenta Halle, Kassel, 2021. Photo by Nicolas Wefers. Courtesy documenta fifteen.

Previews: documenta fifteen

Installation view of <b>HAN MENGYUN'</b>s <i>The Pavilion of Three Mirrors</i>, 2021, polished metal sheet, steel, and paintings, dimensions variable, at the 2021 Diriyah Biennale,

New Currents: Everyday Poetry

Exterior view of <b>GUDSKUL</b>, Jakarta, 2020. Courtesy Gudskul and documenta fifteen, Kassel.

Bad Students, Gudskuls