Issue

To Guide and to Desert

To Guide and to Desert

<b>GEORGE CONDO</b>, <i>Transparent Female Forms</i>, 2009, acrylic, chalk and pastel on linen, 198.1 x 289.2 cm. Courtesy Phillips Hong Kong.

Auction Report: Youthful Energy

<b>YU HONG</b>, <i>Direction</i>, 2020, acrylic on canvas, 140 x 150 cm. Courtesy the artist and Lisson Gallery, London/New York.

Art Fair Report: Next Stop

<b>Tom Tandio</b>

Whispering Gallery: Rebalancing Acts

Illustration by <b>KITSON WONG </b>for ArtAsiaPacific.

The Point: Crisis and Opportunity: Hong Kong Art Education in Recent Years

<b>KIM EUNHO</b>, <i>Portrait of King Sunjong</i>, 1923, ink on paper, 45.5 x 23.5 cm. Courtesy the Estate of Kim Eunho and the National Museum of Modern and Contemporary Art, Kore

Previews: Sites of Exchange

<b>TSENG CHIEN-YING</b>, <i>Mr. OCD</i>, 2015, acrylic, ink, and pigment on paper, 41 x 35.5 cm. Courtesy the artist.

New Currents: Present Specters

Portrait of <b>KIRI DALENA</b>. Photo by Kimberly de la Cruz. Courtesy documenta fifteen.

Kiri Dalena: Confronting Narratives

Portrait of <b>ELIA NURVISTA</b>. Photo by <i>Nonzuzo Gxekwa</i>. All images courtesy the artist.

Elia Nurvista: Recipes for Reorientation

<i>First Rain, Brise Soleil</i>, 2021- , still from three-channel video with color and sound: 16 min 4 sec. Courtesy the artist.

Thao Nguyen Phan: Poetic Thinking

Detailed installation view of <i>Remembering Mad Meg</i>, 2007-19, four-channel video installation with sound, 16 light projections, eight reverse painted Mylar cylinders, dimensio

Nalini Malani: The Act of Remembering

<b>BOO SZE YANG</b>, <i>We Didn't Start the Fire</i>, 2021, oil on linen, 120 x 150 cm. Courtesy the artist.

Up Close: Boo Sze Yang

<b>SERENE HUI SZE LOK</b>, <i>Gossip</i> (detail), 2022, from <i>Scold, Gossip and Siren (A trilogy on feminine voices, words and songs)</i>, letterpress and polymer photogravure p

Up Close: Serene Hui Sze Lok

Installation view of <b>HEIDI LAU</b>'s Gardens as Cosmic Terrains, 2021-22, mixed-media installations, dimensions variable, at Green-Wood Cemetary, New York, 2022. Photo by Nancy

Up Close: Heidi Lau