Issue

Installation view of <b>PINAREE SANPITAK</b>'s <i>Temporary Insanity</i>, 2004, silk by Jim Thompson, synthetic fiber, battery, motor, propeller, sound device, dimensions variable,

Bangkok Art Biennale 2022: Chaos : Calm

Installation view of <b>JAFFA LAM</b>'s (left) <i>A Piece of Silence from Lying (standing mode)</i>, 2022, graphite, luminous painting on recycled pine wood from crate box, 260 x 2

Hong Kong: Jaffa Lam

<b>ROBERT LANGENEGGER</b>, <i>

Manila: Phylogeny of Desire

Detail of <i>Mother of Pearl</i>, 2021, color print on satin, 76.2 x 127cm. Photo by Daniel Vincent Hansen. All images courtesy the artist and Empty Gallery, Hong Kong, unless othe

Jes Fan: Precious Wounds

<b>SHINGO KANAGAWA</b>, <i>for a while</i>, 2011, inkjet print, 28.3 x 35.7 cm. Courtesy Mori Art Museum, Tokyo.

Tokyo: Roppongi Crossing 2022: Coming & Going

Installation view of <b>MALAEB</b>'s <i>Pilot 1.0</i>, 2022, video: 9 min 10 sec, at

Singapore Biennale 2022: Natasha

Portrait of <b>CLUB ATE</b> (Justin Talplacido Shoulder and Bhenji Ra). Photo by Joseph Pascual. All images courtesy the artists.

Club Ate: Mythologies of Movement

<b>NIKHIL CHOPRA</b>, <i>Remembering Being There (Wahan ki Yaad)</i>, 2021, still from video with sound: 16 min 30 sec. All images courtesy the artist and Galleria Continua, San Gi

Nikhil Chopra: Recomposing the Live

Portrait of <b>PAO HOUA HER</b>. Courtesy Bockley Gallery, Minneapolis.

News Roundup 132: Controversy, Career Moves, Public Domain

Portrait of <b>ASHLEY BICKERTON</b>. Courtesy the artist's estate and Gajah Gallery, Singapore / Jakarta / Yogyakarta.

Tribute: Ashley Bickerton

<b>MING WONG</b>, <i>Number 4 from Pictures from the Wayang Spaceship</i>, 2022, digital print, 125x80 cm. Courtesy the artist and Ota Fine Arts Singapore / Shanghai / Tokyo.

Dispatch: Singapore

Detail of <i>Mother of Pearl</i>, 2021, color print on satin, 76.2 x 127 cm. Photo by Daniel Vincent Hansen. Courtesy the artist and Empty Gallery, Hong Kong

Editor’s Letter: Forces for Change

*IMELDA CAJIPE ENDAYA*'s graffiti guide for the multimedia installation _Kapatiran ng mga Lakambining Maybahay (Sisterhood of Nurturing Chieftains) (Redux)_ (2022). Courtesy the ar

Imelda Cajipe Endaya: A lifetime of women’s labor

Book Review: What Do Museums Connect?: Museums in a Post-Pandemic World

Book Review: What Do Museums Connect?: Museums in a Post-Pandemic World