Issue

SORNCHAI PHONGSA, Alien Capital, 2018Mixed-media installation, 8 × 8 × 3.5 meters. Installation view at “Beyond Bliss,” Bangkok Art Biennale, 2018–19.Courtesy the artist and Bangko

Bangkok: Bangkok Art Biennale

ASTHA BUTAIL, (Forever) Embedded Memory, 2014.Archival paper, oak wood and reeds, 55 × 56 × 125 cm.Installation view of “In the Absence of Writing” at 24, Jor Bagh, New Delhi, 2019

New Delhi: Astha Butail

ALESSANDRO BALTEO-YAZBECK, Last Oil Barrel, Date postponed, Sustainable wood, paper, ink and financial markets, 3.8 × 2.5 × 2.5 cm. Courtesy Art Jameel, Dubai.

Dubai: Crude

OUMAYA ALIEH SOUBRA, Ombre et Lumière [Shadow and Light], c. 1982. Oil on paper, 50.2 × 70.3 cm. Photo by Gökcan Demirkazık for ArtAsiaPacific

Beirut: Oumaya Alieh Soubra

WONG PING, FRUITPUNCH – We Want More, 2010.Single-channel HD video: 5 min 58 sec. Courtesy the artist and Edouard Malingue Gallery, Hong Kong/Shanghai.

Berlin: The D-tale, Video Art from the Pearl River Delta

KORAKRIT ARUNANONDCHAI with ALEX GVOJIC and BOYCHILD, No history in a room filled with people with funny names 5, 2018.Three-channel video installation, 30 min 44 sec. Installatio

London: Korakrit Arunanondchai

YUKULTJI NAPANGATI, Untitled, 2017.Acrylic on linen, 182.2 × 151.8 cm.Courtesy the artist and Salon 94, New York.

New York: Yukultji Napangati

JEJU ISLAND, By Oksun Kim. Published by Hatje Cantz, Berlin, 2018 Hardcover, 176 pages. FOREST, By Yan Wang Preston, texts by Zelda, Cheatle and Nadine BarthPublished by Hatje Cant

BOOK REVIEWS: Forest of Lost Trees

MA QIUSHA, You (A Parabola from East to West), 2012, watercolor and mixed media on paper, 78.5 × 110 cm. Courtesy the artist and Beijing Commune.

Us, You, #MeToo

ON KAWARA, One Million Years (Reading), 1993–, Documentation of reading performance, one month. View of “One Million Years” exhibition at David Zwirner, New York, 2009. Courtesy Da

ONE ON ONE: On Kawara

View of Hanoi in 2014. Copyright and courtesy Flickr user Guerretto.

DISPATCH: Hanoi

Illustration by Teng Yu

THE POINT: Gana (Hear, Think, Understand)

SHEZAD DAWOOD, Towards the Possible Film, 2014, still of single-channel HD video: 19 min 29 sec. All images courtesy the artist and Timothy Taylor, London/New York.

We Are Each One An Other

Image of Marina Bay Sands Hotel and Casino, taken from Merlion Park, Singapore, 2015. Photo by Sasin Tipchai.

Hopping on a Broken Bandwagon