Issue

THE OTOLITH GROUP, In the Year of the Quiet Sun, 2013Still from HD video with color and sound, transferred from scans and archive film: 33 min 57 sec. Courtesy the artists

Eindhoven: The Otolith Group

MICHELLE DIZON, The Archive’s Fold, 2018, Multi-image slide and sound installation with texts, dimensions variable.Detailed installation view of “Motions of this Kind: Proposition

London: Motions of This Kind

New York: Simone Fattal

RINA BANERJEE, A World Lost..., 2013Mixed media, 335 × 594 × 325 cm. Installation view of “Make Me a Summary of the World” at the San Jose Museum of Art, 2019. Courtesy the artist

San Jose: Rina Banerjee

HUMA BHABHA, Benaam, 2018Painted and patinated bronze, 139.7 × 147.3 × 457.2 cm. Installation view of “They Live” at the Institute of Contemporary Art, Boston, 2019. Photo by Natas

Boston: Huma Bhabha

GU WENDA, united nations: american code, 2018–19, Human hair, 459 x 701 x 854 cm. Installation view of “The Allure of Matter: Material Art from China” at Los Angeles County Museum

Los Angeles: The Allure of Matter

JITISH KALLATEdited by Natasha GinwalaPublished by Mapin Publishing (Ahmedabad)in association with Prestel (Munich, London, New York), 2018

BOOK REVIEWS: Turning Pages

Burçak Bingöl in her studio.

Burçak Bingöl

A GATHERING AT THE CARNIVAL SHOP, 2015, still from digital video: 35 min. Courtesy the artist.

Amphibian Heroes, Skins, Naive Effects: A CONVERSATION WITH MOCHU

*LAM TUNG PANG*, _A Day of Two Suns_, 2019. Video projection on paper and objects, 252 x 867 x 640 cm.Installation view of

Hong Kong: Lam Tung Pang: Saan Dung Gei

Cologne: Nil Yalter

The Sketch

The Sketch

Dispatch: Los Angeles

LEE WEN, Strange Fruit, 2003, C-print photograph, 42 × 59.4 cm. Courtesy Singapore Art Museum.

ONE ON ONE: We Dare to Dream: On Lee Wen