Issue

Photo documentation of Rebirth Garments's performance at “Werq: Embodying Queer Spirit,”Gallery 400, Chicago, on October 24, 2015. Photo by Kiam Marcelo Junio. Courtesy Sky Cubacub

DISPATCH: Chicago

Illustration by Fatchurofi.

THE POINT: Change Agents

NAM JUNE PAIK, Electronic Superhighway, 1993, forty-seven channel video installation, dimensions variable. All photos by Mark Patsfall, taken at the Germany Pavilion, 45th Venice B

Speeding Down the Electronic Super Highway

Portrait of siren eun young jung. Photo by Sustain Works. Courtesy Korea Pavilion, Venice Biennale.

siren eun young jung

Portrait of Mark Justiniani. Courtesy Joy Mallari.

Mark Justiniani

FSB X, 2019, still from 4K video: 10 min, from the film series for the installation 3x3x6 at the 58th Venice Biennale’s Taiwan Pavilion, 2019. All images courtesy the artist.

Shu Lea Cheang: Docile, Mutating and Resistant Bodies

Gestures of Transmission: A Conversation With Angelica Mesiti

Gestures of Transmission: A Conversation With Angelica Mesiti

Negotiated Differences (detail), 2019, 3D-printed forms in wood, carved wood, metal, and plastic. Photo by Joshua White. Courtesy the artist and M+, Hong Kong.

Shirley Tse: The Polymer Multiverse

Le Miroir, 2006, from the “Périphérique” series (2005–09),C-print, 120 × 90 cm. Copyright the artist; courtesy the artist and Kamel Mennour, Paris/London.

INSIDE BURGER COLLECTION: Bourouissa’s Method

MOHAU MODISAKENG, Land of Zanj, 2019. Photographic documentation of live processional performance at Kalba Ice Factory and Kalba Beach on March 8, 2019, during the March Meeting Pr

Sharjah: Sharjah Biennial 14

JANET LAURENCE, Deep Breathing: Resuscitation for the Reef (detail), 2015–16, various wet specimens, corals, pigment, acrylic boxes, and laboratory glass, dimensions variable. Phot

Sydney: Janet Laurence

SHEN XIN, Commerce des Esprits, 2018, four-channel video installation: 17 min 38 sec. Installation view at “To Satiate,” MadeIn Gallery, Shanghai, 2019. Courtesy MadeIn Gallery.

Shanghai: Shen Xin

DENG YUFENG, Black Sutra, 2014, mixed-media installation, dimensions variable. Installation view at the Wuzhen Contemporary Art Exhibition 2019. Courtesy the artist and Wuzhen Cont

Wuzhen: Wuzhen Contemporary Art Exhibition 2019

LEE KANG-SO, Disappearance – Bar in the Gallery (detail), 1973, six c-prints on paper, 60 × 90 cm each. Courtesy the artist and the National Museum of Modern and Contemporary Art,

Gwacheon: Awakenings: Art in Society in Asia 1960s–1990s