Issue

LEE KUN-YON, Logic of Place, 1975/2019, Four gelatin sliver prints on paper, 50 x 50 cm each. Copyright and courtesy the artist.

Seoul: Lee Kun-Yong

Beijing: China Landscape

ALFREDO AND ISABEL AQUILIZAN, Here, There, Everywhere: Project, Another Country, 2018 Mixed-media installation, dimensions variable. Installation view of “The Center Will Not Hold,

Manila: The Center Will Not Hold

CIVIL ARCHITECTURE, Parliament Station, 2019, computer rendered image, dimensions variable. Courtesy the artists.

Kuwait City: Civil Architecture

Istanbul: Mike Nelson

THE OTOLITH GROUP, In the Year of the Quiet Sun, 2013Still from HD video with color and sound, transferred from scans and archive film: 33 min 57 sec. Courtesy the artists

Eindhoven: The Otolith Group

MICHELLE DIZON, The Archive’s Fold, 2018, Multi-image slide and sound installation with texts, dimensions variable.Detailed installation view of “Motions of this Kind: Proposition

London: Motions of This Kind

New York: Simone Fattal

RINA BANERJEE, A World Lost..., 2013Mixed media, 335 × 594 × 325 cm. Installation view of “Make Me a Summary of the World” at the San Jose Museum of Art, 2019. Courtesy the artist

San Jose: Rina Banerjee

HUMA BHABHA, Benaam, 2018Painted and patinated bronze, 139.7 × 147.3 × 457.2 cm. Installation view of “They Live” at the Institute of Contemporary Art, Boston, 2019. Photo by Natas

Boston: Huma Bhabha

GU WENDA, united nations: american code, 2018–19, Human hair, 459 x 701 x 854 cm. Installation view of “The Allure of Matter: Material Art from China” at Los Angeles County Museum

Los Angeles: The Allure of Matter

JITISH KALLATEdited by Natasha GinwalaPublished by Mapin Publishing (Ahmedabad)in association with Prestel (Munich, London, New York), 2018

BOOK REVIEWS: Turning Pages

Burçak Bingöl in her studio.

Burçak Bingöl

A GATHERING AT THE CARNIVAL SHOP, 2015, still from digital video: 35 min. Courtesy the artist.

Amphibian Heroes, Skins, Naive Effects: A CONVERSATION WITH MOCHU