Issue

New York: the Progressive Revolution: Modern Art for a New India

New York: the Progressive Revolution: Modern Art for a New India

TADANORI YOKOO, “Back of Head” series, 1980, 21 watercolor works on paper, 69 x 54.5 cm each. Installation view of “Death and Dreams” at Albertz Benda, New York, 2018. Photo by Cas

New York: Tadanori Yokoo

SIAH ARMAJANI, Room for Deportees, 2017, from the series “Seven Rooms of Hospitality,” 2017. Metal, wood, barbed wire, mailbox, hat and purse, 243.8 x 305.4 x 111.1 cm. Installatio

Minneapolis: Siah Armajani

Los Angeles: Tomoo Gokita

Los Angeles: Tomoo Gokita

(Left) CIRCLES AND CIRCUITS: CHINESE CARIBBEAN ART By Alexandra Chang, Evelyn Hu-DeHart, Julia P. Herzberg, Mar Hollingsworth, Walton Look Lai, Sean Metzger, Patricia Mohammed, Lok

BOOK REVIEWS: The Art of Place, the Place of Art

Izumi Kato in his Hong Kong studio. On the right is an untitled painting, which he had just completed on the day of ArtAsiaPacific’s visit.

Izumi Kato

Keiichi Tanaami

Keiichi Tanaami

MINOUK LIM, On Air, 2017, various objects including gourd, feather, infrared lamp, fake hair, incense, car headlight, speaker and camera, dimensions variable. Installation view of

Busan: Busan Biennale

*TOM NICHOLSON*, _I Was Born in Indonesia_, 2017, 110 resin-cast diorama figurines on trestle, table with vinyl text and ten unsynchronized HD videos, dimensions variable. Installa

Gwangju: Gwangju Biennale 2018

Young & Emerging: New Digitals

INSIDE BURGER COLLECTION: Giving Voice, Forming Body

Metro Manila: Metropolitan Museum of Manila, Yuchengco Museum and Vargas Museum

HEMAN CHONG, Foreign Affairs #35, 2018, UV print on unprimed canvas, 200 x 130 x 5 cm. Courtesy the artist.

Dragons, Hydra and the 21st Century

JUN NGUYEN-HATSUS HIBA, Memorial Project Nha Trang, Vietnam: Towards the Complex, For the Courageous, the Curious, and the Cowards, 2001, Still from single-channel video, with colo

ONE ON ONE: MAP Office on Jun Nguyen-Hatsushiba