Issue

*ALFONSO OSSORIO*, _Male and Female from Congregations_, 1965, mixed media on panel, 210.8 x 8.7 x 31.8 cm. Courtesy the Robert U. Ossorio Foundation and Michael Rosenfeld Gallery,

Singapore: Singapore Biennale 2019

Installation view of *SOFU TESHIGAHARA*'s _Kikansha (Locomotive)_, 1951, iron, palms, chrysanthemum, pampas grass, 211 x 275 x 92 cm, at Taka Ishii Gallery, Tokyo, 2019. Courtesy t

Tokyo: Sofu Teshigahara

*HEECHEON KIM*, _Deep in the Forking Tanks_, 2019, still from video installation with color and stereo: 41 min. Courtesy the artist.

Seoul: Heecheon Kim: Deep in the Forking Tanks

Manila: Martha Atienza: Equation of State

Manila: Martha Atienza: Equation of State

Installation view of *ZHENG MAHLER*'s _Nostalgia Machines_, 2019, video installation: 15 min, in collaboration with *REIJIRO AOYAMA*, at

Hong Kong: Phantom Plane: Cyberpunk in the Year of the Future

Installation view of *CHU YUN*'s _A Realistic Circle_, 2018-19, circle, dimensions variable, at Mirrored Gardens, Vitamin Creative Space, Guangzhou, 2019-20. Photo by Wen Peng. Cou

Guangzhou: Chu Yun: The Mind of Things

Installation view of *ANNE SAMAT*'s _Conundrum Ka Sorga (To Heaven)_, 2019, rattan sticks, yarns, washers, rakes, PVC chains, home and fashion accessories, kitchen and garden utens

Bangkok: Spectrosynthesis II: Exposure of Tolerance

Detailed installation view of *ALI CHERRI*'s _Graftings (I)_, 2019, Apollon woman's head, carved stone statue representing a bishop of Normandy, polyurethane foam, metal nails, 110

Dubai: Phantom Limb

*NAM JUNE PAIK*, _Bye Bye Kipling_, 1986, still from single-channel video with color and sound: 30 min 32 sec. Courtesy the Estate of Nam June Paik and Electronic Arts Intermix, Ne

London: Nam June Paik

*NICOLAS MOUFARREGE*, _The First Time Ever I Saw the Volcano_, 1979, thread and pigment on needlepoint canvas, 114.3 x 146 cm. Courtesy Nabil Moufarrej and Gulnar

New York: Nicolas Moufarrege: Recognize My Sign

Installation view of *HAJRA WAHEED**'s _Khwabgah 1-9_, 2019, oil paint on tin, nine pieces, 12.7 x 17.8 cm each, at

Toronto: Hajra Waheed: Hold Everything Dear

TUAN ANDREW NGUYEN, The Specter of Ancestors Becoming, 2019, still from four-channel video installation with color and surround sound: 28 min. Courtesy the artist and James Cohan,

San Francisco: Soft Power

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117 Book Reviews: Critical Conditions

ZHANG PEILI and one of his Hangzhou studios.

Where I Work: Zhang Peili