Ideas

The House of the Heart: Trevor Yeung, Vessel Poetics, and Failure as Transformation

The House of the Heart: Trevor Yeung, Vessel Poetics, and Failure as Transformation

In Search of a New Image: On Bi Gan’s “Resurrection”

In Search of a New Image: On Bi Gan’s “Resurrection”

Gathered Fragments: Revisiting Japan’s Moving Image History

Gathered Fragments: Revisiting Japan’s Moving Image History

Open Call: Hyundai Blue Prize+ 2025 for Emerging Curators

Open Call: Hyundai Blue Prize+ 2025 for Emerging Curators

“Avant-Garde Now: Performing for the Camera” at M+

“Avant-Garde Now: Performing for the Camera” at M+

Diriyah Art Futures: New Media Arts Residency Open Call

Diriyah Art Futures: New Media Arts Residency Open Call

Editors’ Picks from Booked Hong Kong

Editors’ Picks from Booked Hong Kong

Book Review: “Future Present: Contemporary Korean Art”

Book Review: “Future Present: Contemporary Korean Art”

Photographic documentation of _Save the Forest_ at Epping Forest. Digitised by National Gallery Singapore Library & Archive with kind permission from *TANG DA WU*.

New Online Course on Art and the Environment in Southeast Asia

Audience watching performance at

Colomboscope 2024: Biennial as Import, Forest as Export

*DIANE SEVERIN NGUYEN*, _In Her Time (Iris's Version)_, still from video: 67 min. Courtesy the artist.

Diane Severin Nguyen: In Her Time (Iris’s Version)

*IZUMI KATO*, _Untitled_, 2004, wood, charcoal, acrylic, 205 x 56 x 52 cm. Photo by Keisuke Yamamoto. Courtesy the artist and SCAI The Bathhouse.

Izumi Kato’s Virtual Shadow

*ANNIKA NORDENSKIOLD*'s _Twin Sisters In Love_, 2023. Courtesy Ballarat International Foto Biennale.

Promptography: The Beginning of the End?

<b>MARIO KLINGEMANN</b>, <i>A.I.C.C.A</i>., 2023, performative AI robotic sculpture, 72 x 41 x 65 cm. Image copyright the artist and courtesy Onkaos.

Fuzzy Criticism: Mario Klingemann's A.I.C.C.A. (Artificially Intelligent Critical Canine)