Shows

*HAYLEY MILLAR BAKER*, _Untitled 2 (I’m the Captain Now)_, 2016, inkjet print on paper, 20 x 20 cm. Courtesy the artist and Vivien Anderson Gallery, Melbourne.

Hayley Millar Baker’s “There we were all in one place”

Five Must-See Exhibitions During Hong Kong Art Month

Five Must-See Exhibitions During Hong Kong Art Month

Installation view of *HUANG ZAN-LUN*’s _David_, 2013, FRP, machine elements, goat horn, artificial fur, dimensions variable, at “Fictional Life: Hybridity, Transgenetics, Innovatio

“Fictional Life: Hybridity, Transgenetics, Innovation”

Installation view of *STEFAN SAGMEISTER*’s “Beautiful Numbers,” at Thomas Erben Gallery, New York, 2021. All photos by Andreas Vesterlund. All images courtesy the artist and Thomas

Stefan Sagmeister’s “Beautiful Numbers”

Detail of *JOSH SPERLING*’s _Spectrum D_, 2021, acrylic on canvas, 232.4 x 567.2 cm. Photo by Farzad Owrang. Courtesy the artist and Perrotin, New York / Paris / Hong Kong / Seoul

What’s Showing at Hong Kong Art Week: Central, Soho, and Beyond

*ZHONG WEI*, _A Wednesday_, 2021, acrylic on canvas, 175 x 245 cm. Courtesy the artist and de Sarthe, Hong Kong.

What’s Showing at Hong Kong Art Week, May 2021: South Side

Installation view of *MICHELE CHU*’s _Solace_, 2021, wood, PVC pipes, metal, fabric, foam, dimensions variable, at “We Are Our Own Demons,” Negative Space, Hong Kong, 2021. Photo b

“We Are Our Own Demons”: Emerging Artists on Identity, Memory, and Body

Installation view of *GORDON HOOKEY*'s _WAM / Ethics_, 2021, fabric, paint, wood dowels, witches hats, castors, dimensions variable, at

proppaNOW: “OCCURENT AFFAIR”

<b>SAB D'SOUZA</b>, <i>Garburator</i>, 2021, still from video: 6 min 30 sec. All images courtesy Cement Fondu, Sydney.

Rewriting the “Textbook for Desire”

*HANGAMA AMIRI*, _Gulzar, Beauty Salon_, 2021, chiffon, muslin, cotton, polyester, velvet, silk, faux leather, inkjet print on chiffon, suede, iridescent paper, found fabric, 279.4

Hangama Amiri’s “Wandering Amidst the Colors”

Installation view of *NOE AOKI*’s _All that Floats Down_, 2019, iron, glass, 5.8 x 13.7 x 15 m, at “All that Floats Down,

What's Up in Tokyo: April–May 2021

Installation view of <b>BROOK HSU</b>'s

Blue in Green: Brook Hsu at Manual Arts

Detailed installation view of *ZARINA MUHAMMAD*’s _Talismans for Peculiar Habitats_, 2019, batik, unbleached cotton shroud, wax, sandalwood chips, straw, agarwood, incense, clay, p

“-Between- -the- Living -and- -the- Archive” at Gillman Barracks

Installation view of *KATSUHIRO YAMAGUCHI*’s _Las Menias_, 1974–75, CCTV video installation (six CRT monitors, one video camera, and two print reproductions), live feed transmissio

“Refocusing on the Medium: The Rise of East Asia Video Art” at OCAT Shanghai