Shows

Detail of LUO JR-SHIN's Syncing sinks, 2019, sink, faucet, barrel, pump, pipe, fruit, and iodine solution, dimensions variable, at “Like a Urinal in a Nightclub,” Taipei Fine Arts

Luo Jr-Shin: “Like a Urinal in a Nightclub”

Installation view of “Danh Vo,” at Secession, Vienna, 2021. Photo by Nick Ash. All images courtesy the artist and Secession.

“Intertwined Histories”: Danh Vo

Installation view of ICE WONG's The Interweaving of You and I, 2021, sunflowers, air, water, sunlight, LED grow lights, plant pots, and wooden caddy with wheels, dimensions variabl

Who is Cyborg? Examining “Post-Human Narratives”

Installation view of *VERNON AH KEE*’s _Scratch the Surface_, 2020, riot shields, charcoal, 88 x 48 x cm each, at “Nothing important happened today,” Spring Hill Reservoir, Brisban

An edict to forget: Vernon Ah Kee’s “Nothing important happened today”

<b>MICHIKO ITATANI</b>, <i>Personal Codes</i> from <i>Cosmic Cube 2019-K-16</i>, 2019, gouache, ink, and Prismacolor on board, 20.3 x 20.3 cm. All images courtesy the artist and 4t

Michiko Itatani's “Personal Codes: Virtual Cube in the Kitchen”

HOLLY ZAUSNER, Second Breath, 2005, Super 16 mm film, digitized, with color and sound: 10 min 16 sec. Courtesy the artist and Loock Galerie, Berlin.

Unwrapping the Nature of “The Gift”

Installation view of

“The History of Women in Korean Photography I: Women’s Photography Movements in the 1980s”

*ANTHONY CHIN*’s sketch for the proposed artwork _-S$1,996/- S$831.06/-_ (2021). Courtesy the artist.

Anthony Chin: “<s>S$1,996/</s> S$831.06/-”

Detailed installation view of *HAJRA WAHEED*'s _Still In Your Wake 1-8_, 2021, pigment in gum arabic binding on polypropylene, linen hardbound artist books, dimensions variable, at

Hajra Waheed: “Learning to Tremble”

*TSAI CHI-HUNG* & *BLAIRE KO*, _Re-Generative:: update()_, 2021, performance, FUTURE VISION LAB. All images courtesy Taiwan Contemporary Culture Lab unless otherwise stated.

C-LAB Future Media Arts Festival: Imagining the Future Via Online and Offline Projects

Installation view of *VUTH LYNO*’s _Sala Samnak_, 2020–21, neon light installation, 300 x 200 x 225 cm, at “A Life Beyond Boundaries (The Geography of Belonging),” JWD Art Space, B

“A Life Beyond Boundaries (The Geography of Belonging)”

Installation view of “Only Losers Left Alive (Love Songs for the End of the World),” at Yeo Workshop, Singapore, 2021. Courtesy Yeo Workshop.

“Only Losers Left Alive (Love Songs for the End of the World)”

*MARK WHALEN*, _hear no, see no, say no_, 2021, polyurethane, airbrush, and mirror chrome on cast aluminum, 35.1 x 44.2 x 54.1 cm. Courtesy the artist.

Over the Influence & CAC Málaga present Mark Whalen’s “I Am Just Here”

Installation view of *ABBAS AKHAVAN*’s _curtain call, variations on a folly_, 2021, barley straw, subsoil, lightweight leica, sharp sand, puddle clay, wood, chromakey green 1080 pa

Abbas Akhavan: “curtain call, variations on a folly”