Editor's Letter
Reports
- DISPATCH: Brisbane By Simon Wright
- THE POINT: Digital Museums By Eve Tam
- FINE PRINT: Art Law Self-Help By Antony Dapiran
- ONE ON ONE: Melati Suryodarmo on Boris Nieslony By Melati Suryodarmo
Essays
Profiles
- Eugene Tan: Prime Mover By Sylvia Tsai
- Del Kathryn Barton: Disco Darling By Michael Young
- Tsherin Sherpa: Breaking Tradition By Hanae Ko
- Aarnout Helb: How the Yellow Cow Found its Green Box By Chin-Chin Yap
Features
- Entangled Tensions: Self, Society and Identity in the Work of Three Bangladeshi Women Artists By Melia Belli Bose
- Inside Burger Collection: Hidden to Be Found or Hidden to Be Forgotten, An Answer by Pierre Bismuth By Thorsten Albertz, Pierre Bismuth
- Dane Mitchell: Placebo Affectation By HG Masters
- Nicholas Mangan: Radiant Times By Pedro de Almeida
- Li Shan: The Nameless Painter By Denise Chu
Reviews
- Istanbul: 14th Istanbul Biennial By HG Masters
- Taipei: Tu Wei By Lilly Lampe
- Shanghai: Chen Zhen: Without going to New York and Paris, Life could be Internationalized By Emma O'Neill
- Singapore: Cheo Chai-Hiang By Marybeth Stock
- New Delhi: Constructs/Constructions By Meenakshi Thirukode
- Berlin: Nezake Ekici By Clara Tang
- Milan: Jing Shen: The Act of Painting in Contemporary China By Alessandra Alliata Nobili
- Castellón: Lee Bul By Rebecca Close
- New York: Crow's Eye View: The Korean Peninsula By Diana Seo Hyung Lee
- Los Angeles: Aki Sasamoto By Jennifer S. Li
- BOOK REVIEWS: Chinese Posing By Don J. Cohn
- Tokyo: Dinh Q. Lê By David Frazier
- Sydney: Rosemary Laing By Rachel Kent
- Seoul: Seung-taek Lee By Joo Han
- Manila: Jose Luis Singson By Jennifer Baum Lagdameo
- Hong Kong: A Legacy of Ink: Lui Shou-kwan 40 Years On By Olivia Wang
