Editor's Letter
Reports
- ONE ON ONE: Charwei Tsai on Ustad Allah Bakhsh By Charwei Tsai
- DISPATCH: Dhaka By Melia Belli Bose
- THE POINT: Screen Resolution By Harry Blain
- FINE PRINT: Buyer Beware! By Antony Dapiran
Essays
- What's in a Name? By David Frazier
- Family Photo Album By Indu Vashist
- Why Here? By Kevin Jones
- The Taming of the Drone By Chin-Chin Yap
Profiles
- Haro Cümbüşyan: Analytic Interventions By HG Masters
- Anida Yoeu Ali: Artist Provocateur By Annie Jael Kwan
- Dinh Q. Lê: Excavating History By Denise Tsui
- George Awde: Shifted Subjects By Stefan Tarnowski
Features
- Billy Apple: Mercurial Consistency By Martin Patrick
- Fahrelnissa Zeid: The Courage to Unlearn By Kevin Jones
- Mithu Sen: Poetry, Beauty and Androgyny By Jyoti Dhar
- INSIDE BURGER COLLECTION: I am at War with My Time By Julian Rosefeldt
- Annie Wan Lai-Kuen: Unfolding in Slow Motion By Daniel Kurjaković
Reviews
- Macau: Art of Ink – Mio Pang Fei Calligraphy Exhibition By Vivianna Cheong
- Singapore: The Collective Young: From South East Asia By Michael Lee
- Japan: Echigo-Tsumari Art Triennale By Angela Lam
- Sydney: Go East By Elaine W. Ng
- Seoul: Seung Yul Oh By Jayoon Choi
- Taipei: Polit-Sheer-Form By David Frazier
- Beijing: Liu Wei By Yuan Fuca
- Hong Kong: Sheela Gowda By Sylvia Tsai
- Dubai: Hassan Sharif By Kevin Jones
- London: I Spy With My Little Eye: A New Generation of Beirut Artists By Stefan Tarnowski
- Cambridge: Anicka Yi By Peter R. Kalb
- BOOK REVIEWS: Clash of the Titans By Hanae Ko
- Milan: Mono-Ha By Alessandra Alliata Nobili
- Essen: Works in Progress: Photography from China By Clara Tang
- New York: On Kawara By HG Masters
- San Francisco: 28 Chinese By Hanae Ko
- New Delhi: Susanta Mandal By Deeksha Nath
