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Issue 94 | Jul/Aug 2015

Editor's Letter

  • Transitional Practices By Elaine W. Ng

Reports

  • DISPATCH: Beijing By Feng Boyi
  • THE POINT: Looking at Art By Dorsey Waxter
  • ONE ON ONE: Michael Joo on Kim Beom By Michael Joo

Essays

  • Where is There? By Kevin Jones
  • Acting Dauntlessly By Paul Serfaty

Profiles

  • Neha Choksi By Jyoti Dhar
  • David Chau By Michael Young
  • Patricia Perez Eustaquio By Jennifer Baum Lagdameo and Marlyne Sahakian

Features

  • Tomoo Gokita: One Thousand Shades of Gray By Elaine W. Ng
  • Zhao Zhao: Unlikely Activist By Michael Young
  • Raed Yassin: How to Read By Stephanie Bailey
  • Inside Burger Collection By Quddus Mirza

Reviews

  • Bangkok: Chatchai Puipia By Brian Mertens
  • San Gimignano: Anish Kapoor By Alessandra Alliata Nobili
  • Battambang: Hour Seyha By Ben Valentine
  • Venice: 56th Venice Biennale By HG Masters
  • Melbourne: Kate Daw By Rachel Kent
  • Seoul: Korean Abstract Painting By Elaine W. Ng
  • Beijing: Follow the Heart By Zandie Brockett
  • Hong Kong: Emily Cheng By Barbara Bloemink
  • Hong Kong: Sadaharu Horio By Denise Chu
  • Ho Chi Minh City: Trong Gia Nguyen By Ruben Luong
  • Singapore: Simryn Gill By Louis Ho
  • Baku: Shirin Neshat By Sylvia Tsai
  • Barcelona: Past Disquiet By Rebecca Close
  • London: Liu Ding By Edward Sanderson
  • Los Angeles: Diana al-Hadid By Jennifer S. Li
  • BOOK REVIEW: Fancy Footwork By Denise Tsui
  • Tokyo: Great Crescent, Art and Agitation in the 1960s - Japan, South Korea, Taiwan By Jessica Jane Howard

Where I Work

  • Ahmed Mater By Chin-Chin Yap

© 2025 ArtAsiaPacific

ArtAsiaPacific
GPO Box 10084
Hong Kong

info@aapmag.com

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