Editor's Letter
Reports
- PREVIEWS: Journeys and Arrivals By
- FINE PRINT: Idle Hands and the Art Market: The Devil's Playground By Enrique Liberman
- ONE ON ONE: Sopheap Pich on Nhek Dim By
- DISPATCH: Yangon By Nathalie Johnston
- THE POINT: Cost, Value and Price By David Elliott
- WHISPERING GALLERY: Getting in with the In Crowd By DT
- AUCTION REPORT: Divine Interventions By
- ART FAIR REPORT: Launching on Troubled Waters By
- NEW CURRENTS: Excavated Gestures By
Essays
- True Lies: Yasmine Eid-Sabbagh and Rozenn Quéré By Kevin Jones
- Genetic Expressionism By Chin-Chin Yap
- Horizontal Steps By Andrew Clifford
Profiles
- Kong Chun Hei: The Eidetic Image By Sylvia Tsai
- Birdhead: Steampunks By Michael Young
- Khadim Ali: Heroes and Demons By Susan Acret
- Tansa Mermerci Ekşioğlu: Living in Art By Catherine Milner
Features
- Arturo Luz: A Quest for Simplicity By Marlyne Sahakian
- Beyond Ink: China's Young Neotraditionalist Artists By Tiffany Wai-Ying Beres
- Shooshie Sulaiman: Alternate Spaces By Melanie Pocock
Reviews
- Beirut: Journeys Through Our Heritage By Stefan Tarnowski
- Sydney: Richard Bell By Rachel Kent
- Tokyo: Ming Wong By Jessica Howard
- Manila: Patricia Perez Eustaquio By Marlyne Sahakian
- Beijing: Liao Guohe By Iona Whittaker
- Hong Kong: Déjà Disparu By Katherine Tong
- Singapore: Going Where? By Marybeth Stock
- Singapore: Lee Mingwei By Lesley Ma
- San Gimignano: Mona Hatoum By Alessandra Alliata Nobili
- New York: Iran Modern By Claire Sabel
- Washington, DC: Xu Bing By Miryam Haarlammert
- Berkeley: Yang Fudong By Hanae Ko
- Los Angeles: Kitasono Katue By Jennifer S. Li
- BOOK REVIEW: Desperately Seeking Utopia By John Jervis
- Dubai: Larissa Sansour By Kevin Jones
- Istanbul: Sarkis: Twin / Rainbow By HG Masters
