
Editor's Letter
Reports
- ONE ON ONE: Tenzing Rigdol on Nortse By Tenzing Rigdol
- Dispatch: Taipei By David Frazier
- THE POINT: A Third Way By Hou Hanru
Essays
- REFLECTION: What Isn’t Mono-ha? By James Jack
- CASE STUDY: Objectification By Chin-Chin Yap
- RECAP: Looking Back to Look Forward By John Jervis
- PERSPECTIVE: Biennials and Infrastructural Shift—Part II By Terry Smith
Profiles
- Tarek Atoui By Isabella E. Hughes
- Aakash Nihalani By Jyoti Dhar
- Neama A. Alsudairy By Reza Faroughi
- Shi Qing By Lee Ambrozy
Features
- Haroon Mirza: A Heightened Degree of Control By John Jervis
- Michael Joo: Devolution By Hanae Ko
- Lee Mingwei: Threads of Connection By Rachel Kent
- Esra Ersen: Empathy Machine By HG Masters
- Ma Desheng: Eternal Spring By Andrew Cohen
Reviews
- San Francisco: Phantoms of Asia By Jessica C. Kraft
- Singapore: CUT 2012 By Marybeth Stock
- Arsenale 2012 — Kyiv Biennale By John Jervis
- Berlin: Entang Wiharso By Noelle Bodick
- Sam Gimignano: Nikhil Chopra By Alessandra Alliata Nobili
- Bregenz: Danh Vo By Marlyne Sahakian
- Houston: Utopia/Dystopia By Hanae Ko
- Auckland: Graham Fletcher By Andrew Clifford
- Sydney: The Other's Other By Rachel Kent
- Tokyo: Arab Express By Yuki Terada
- Taipei: Hung Tung-Lu By David Frazier
- Shanghai: Boy By Xhingyu Chen
- Shenzhen: Accidental Message By Olivier Krischer
- Hong Kong: Imperishable Affection By Olivier Krischer
- Phnom Penh: Svay Sareth By Roger Nelson
- BOOK REVIEW: Getting a Bird's-eye View By Don J. Cohn
- Documenta 13 By HG Masters