
Editor's Letter
Reports
- QUESTIONNAIRE: Lee Mingwei By Lee Ming Wei
- ONE ON ONE: Jaishri Abichandani on Samira Abbassy By Jaishri Abichandani
- DISPATCH: Almaty By Valeria Ibraeva
- NEWS: Political Palimpsests By Ashley Rawlings
- AUCTION REPORT: Smooth Sailing in Familiar Waters By The Editors
- ART FAIR REPORT: Pecking Order By The Editors
- THE POINT: A Hourse Name Caveat By Andrew Cohen
- PREVIEWS: Where Paths Meet By The Editors
- NEW CURRENTS: Ghosts in the Lens By The Editors
- THE LAST WORD: Art Plus Alpha By Edan Corkill
Essays
- PERSPECTIVE: A Fine Mess! By David Elliott
- CURRENT AFFAIRS: The Future Landscape of Art in Brunei Darussalam By Catherine Wilson
- PERSPECTIVE: Moral Anorexia By Tenzing Rigdol
Profiles
- Seher Shah: Monuments of the Mind By Jyoti Dhar
- PERSONAL HISTORY: Shen Shaomin: In the Grip of Power By Michael Young
- FRONT LINES: Illuminated Demolition: Jan Tichy By Jason Lazarus
- PERSONAL HISTORY: Tcheu Siong: Stitching Dreamscapes By Yves Bernard
Features
- No Occupation Without Representation: Artists in Palestine By HG Masters
- Ai Weiwei: (From the Other Side of the Glass) By Andrew Cohen
- Sarkis: Activating the Sublime By Marlyne Sahakian
- Tadanori Yokoo: Dark was the Night By Ashley Rawlings
Reviews
- Milan: The Alleys of a City Named Jogya By Alessandra Alliata Nobili
- Singapore: Singapore Biennale: “Open House” By Hanae Ko
- New York: In a Perfect World . . . By Jonathan Goodman
- Sydney: Social Sculpture By Rachel Kent
- Shanghai: Huang Kui By Xhingyu Chen
- Hong Kong: Complete & Unabridged: Part II By Julia Tanski-Gilbert
- Siem Reap: Khvay Samnang By Catherine Wilson
- New Delhi: Ranjani Shettar By Deeksha Nath
- Dubai: Hale Tenger By Ashley Rawlings
- London: Contemporary Art from Sri Lanka 2011 By Sara Raza
- London: Haroon Mirza By John Jervis
- San Jose: Roots in the Air, Branches Below By Jessica C. Kraft
- BOOK REVIEW: Joy and the Ability to Fly By Don J. Cohn