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Issue 4 | Vol 1 Number 4 (Oct) 1994

Reports

  • Conference Report: The Under Capricorn conference in Wellington By Nicholas Thomas
  • Festivals: Chiang Mai Art Festival By Chanyaporn Chanjaraen
  • Exhibitions: A Veil In Between: Taipei Report By Chia Chi Jason Wang
  • Exhibitions: Tried and True: Min Joong Art survey exhibition By Choi, Tae-Man
  • Exhibitions: Pameran Untuk Marsinah: The exhibition that never opened By Julie Ewington
  • Exhibitions: Roads Cross: The Paintings of Rover Thomas By Sheona White

Essays

  • Staging a Culture: Korean Art at Home and Abroad By Jae-ryung Roe
  • The Emptiness of Emptiness Dream of the Butterfly By Soun-gui Kim
  • Does the Avant-Garde Begin or End in Asia? By Keith Looby
  • Annotated Singapore Diary: Censorship, performance, and the Latiff Mohidin retrospective By Ray Langenbach
  • An Invitation to Words: The Sculpture of Antonio Mak By David Clarke
  • Lost Gods: The Paintings of John Pule By Nicholas Thomas
  • South-East Asian Sense and Sensibility: The well-filled space, the well-cut silence By Rod Paras-Perez
  • Through Our Own Eyes: Contemporary Art in Papua New Guinea By John Waiko

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