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Issue 29 | Jan/Feb/Mar 2001

Reports

  • In-between discourses: Alternative art spaces in Tokyo By Larissa Hjorth

Essays

  • Vong Phaophanit By Claire Oboussier
  • Eating their words : A Filipino Narrative By Ana P. Labrador
  • Suspended in ambivaence: The installations of Seong Chun By Joan Kee
  • Subaltern Writing: Tsang Tsou Choi: The King of Kowloon By David Clarke
  • Valuing Asia: Wong Hoy Cheong’s quest for a postcolonial visual vocabulary By Sumit Mandal
  • warrior girl: Kate Beynon’s tussle with language By Stuart Koop
  • Sleight of Hand: The Use Of Text In Contemporary Chinese Art By Melissa Chiu

Reviews

  • Picnic in an art garden: The 2000 Kwangju Biennale By Robert J. Fouser
  • Korean American views: On exile, travel and unbelonging By Doryun Chong
  • Shifting Perceptions: Contemporary LA Visions By Collette Chattopadhyay
  • A complex prism: Indigenous influences in Australian art By Ashley Carruthers
  • Text and subtext By
  • Ed Pien By Jen Budney
  • AWAS! By D.J. Huppatz
  • Aniwar Mamat By Bruce Doar
  • Critical response By Benjamin Genocchio
  • Helen Geier By Kanchan Chander
  • Zhang Huan By Jonathan Goodman
  • Tadashi Kawamata By Stephen Horne
  • Shahzia Sikander By Jonathan Goodman
  • Yoshitomo Nara By Collette Chattopadhyay
  • TV Buddha, video fish: The worlds of Nam June Paik By Jonathan Goodman
  • Turning to the everyday: Land/mind/body-scapes in Tokyo By Edan Corkill

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