Editor’s Letter
- Editor’s Letter By Elaine W. Ng
Reports
- One on One: Lin Jingjing on Wael Shawky by Lin Jingjing
- Dispatch: Milan by Manuela Lietti
- Main News: Koyo Kouoh’s Legacy and Uncertainty for Venice Biennale 2026 by The Editors
- News Roundup: Career Moves, Infrastructure, Controversies, Public Domain by The Editors
- News: Awards & Obituaries by The Editors
- The Point: Artists Under Arrest by Matt A. Hanson
- Art Fair Report: Quiet Times by Louis Lu & Michele Chan
- Whispering Gallery: Surfing the Tides of Change by DT
- Previews by The Editors
Profiles
- New Currents: Vien Valencia by Annabel Preston
- New Currents: Xingzi Gu by Louis Lu
- New Currents: Yi To by Annette Meier
- Hyun Nahm: Entropic Cities by Andy St. Louis
- Kiang Malingue: Stepping Out by Michele Chan
- Ali Kazma: The Lens of Thought by Matt A. Hanson
Where I Work
- Where I Work: Nasser Al Salem by Elaine W. Ng
Essays
- Essay: Thicker Than Water by Johanna Bear
Features
- When Artists Commission Artists: An Asian Perspective by Ryan Su
- Of Sound and Identity: Christine Sun Kim by Xintian Tina Wang
- Up Close: Richard Hawkins by Louis Lu
- Up Close: Xindian Boys by Michele Chan
- Up Close: Sopheap Pich by Annette Meier
- Inside Burger Collection: Ranti Bam: My Works Have Soul by Larissa Kikol
Reviews
- Ruth Asawa: Retrospective by Arthur Solway
- Sydney: Akil Ahamat: Extinguishing Hope by Yuna Lee
- Seoul: Tromarama: Ping Inside Noisy Giraffe by Stefanie Hessler
- Shanghai: Wawi Navarroza: Wild at Heart by Hung Duong
- Hong Kong: Lining Revealed—A Journey Through Folk Wisdom and Contemporary Vision by Louis Lu
- Singapore: City of Others: Asian Artists in Paris, 1920s–1940s by Niamh Cullinane
- Mumbai: Rithika Merchant: Pillars of Fruit and Bone by Rabia Kapoor
- Dubai: Trần Lương: Tầm Tã – Soaked in the Long Rain by Annette Meier
- Milan: Yukinori Yanagi: ICARUS by Tom Denman
- Houston: Hung Hsien: Between Worlds by Jennifer S. Li
The Sketch
- An-My Lê by Sanle Yan
