Editor's Letter
Reports
- Dispatch: Zurich: Booming But Unseen By Li Zhenhua
- One on One: Jin Meyerson on Park Seo-Bo By Jin Meyerson
- 135 News Roundup: Controversies, Career Moves, Public Domain By The Editors
- Art Fair Report: The More the Merrier? By The Editors
- Previews: Tracing Movements By The Editors
- New Currents: Alternative Worlds By Cheryl Kwan, Brynn Gordon
- The Point: Grounds for Social Criticism By FX Harsono
- News: Organizations Wrestle with Future of David Adjaye Projects By The Editors
- Whispering Gallery: It’s Typhoon Season, Again By DT
- 135 News Roundup: Awards, Obituaries By The Editors
Profiles
Features
- The Sorrow and Desire of Abysmal Life Machines: An Interview with Mire Lee By Billy Tang
- Journey Across Sound: An Interview with Tarek Atoui By Pamela Wong
- Up Close: Corinne de San Jose By Elaine W. Ng
- Up Close: Elvis Yip Kin Bon By Oliver Clasper
- Inside Burger Collection: KP Brehmer: Screen Negatives By Elisa R. Linn and Lennart Wolff
- Up Close: Yooyun Yang By Ned Carter Miles
Reviews
- Tokyo: Charles Munka By Stuart Munro
- Minneapolis: Pacita Abad By Erin Robideaux Gleeson
- Shanghai: The Threads of Destiny: Maryn Varbanov, Works from the 1970s, with Song Huai-Kuei By Arthur Solway
- Seoul: Only the Young: Experimental Art in Korea, 1960s–1970s By Elaine W. Ng
- Book Review: Japanese Photography Magazines: 1880s to 1980s By Oliver Clasper
- Melbourne: Mithu Sen By Claire Summers
- Kyoto: Re: Startline 1963–1970/2023 By HG Masters
- Hong Kong: Madame Song: Pioneering Art and Fashion in China By HG Masters
- Berlin: Dui Jip Ki By Frances Arnold
- Ghent: Haegue Yang By Manuela Lietti
- Singapore: See Me, See You: Early Video Installation of Southeast Asia By Tong Tung Yeng
- Bangkok: Nontawat Numbenchapol, Kridpuj Dhansandors, Rungruang Sittirerk, and Viriya Chotpanyavisut: Uncountable Time By Hung Duong
- London: Andro Wekua: There By Ned Carter Miles
- Book Review: Big Tail Elephant: Build and Resist By HG Masters
- Book Review: Art in the After-Culture By Peter Chung
Where I Work
The Sketch
