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Issue 104 | Jul/Aug 2017

Editor's Letter

  • Slow Down, Look Closer By Elaine W. Ng

Reports

  • ONE ON ONE: Rasheed Araeen on Anthony Caro By Rasheed Araeen
  • DISPATCH: Bangkok By Gregory Galligan
  • THE POINT: Narrating Syria Through Family-Run Arts Patronage By Shireen Atassi

Essays

  • Culture of Reappearance By Antony Dapiran

Profiles

  • Ian Holliday By Elaine W. Ng
  • Ross Manning By Ellie Buttrose
  • Cian Dayrit By Dominic Zinampan

Features

  • Rana Begum: Simply Put By Ned Carter Miles
  • Kunié Sugiura: Becoming Image By HG Masters
  • Zhao Tao: Beyond Geography Lies the Truth By Yung Ma
  • INSIDE BURGER COLLECTION: A Plate with Milk By Isa Cossement

Reviews

  • Abu Dhabi: But We Cannot See Them: Tracing A UAE Art Community, 1988–2008 By Lesley Ann Gray
  • Venice: 57th Venice Biennale By HG Masters
  • Sydney: Familiar Stranger By Chloé Wolfson
  • Melbourne: Christian Thompson By Sarah Werkmeister
  • Beijing: The New Normal By Thomas Mouna
  • Dubai: Syria: Into The Light By Brady Ng
  • Athens: Documenta 14 By Nooshfar Afnan
  • Milan: Liu Xiaodong By Alessandra Alliata Nobili
  • Barcelona: Akram Zaatari By Rebecca Close
  • New York: Whitney Biennial 2017 By Mostafa Heddaya
  • Los Angeles: Young-il Ahn By Jennifer S. Li
  • BOOK REVIEWS: Recipes for Looking By Don J. Cohn
  • Berlin: 2 Or 3 Tigers By Clara Tang
  • London: Lawerence Abu Hamdan By Ned Carter Miles
  • New York: Ian Cheung By Mimi Wong
  • Hong Kong: Ambiguously Yours By Arthur Tam
  • Singapore: Kim Beom By Marybeth Stock

Where I Work

  • Firenze Lai By Ysabelle Cheung

The Sketch

  • Lamia Joreige By The Editors

© 2025 ArtAsiaPacific

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Hong Kong

info@aapmag.com

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