Issue

Previews: Up Next

Agenda 2021: Festivals and art fairs for an unpredictable world

*THU VAN TRAN*, _Penetrable - Rainforest #1_, 2019, rubber on canvas, wooden frame, pigment, 180 x 150 cm. Copyright the artist. Photo by Rebecca Fanuele. Courtesy the artist and A

Editor’s Letter: Practices of Realignment

Installation view of *HASSAN KHAN*'s _The Keys to the Kingdom_, 2019, 12 embroidered banners and four printed banners, dimensions variable, at

Dispatch: Madrid: Mind the gap

Illustration by Peter Chung.

The Point: To Conceive of the Curriculum of the Forest

Installation view of *YUKIHISA ISOBE*'s _Where has the River Gone?_, 2000/18, yellow flags and poles on what was the course of the Shinano River in Nakazato, dimensions variable, a

Every Day Earth: The ecological flows of Yukihisa Isobe

Portrait of IRENE AGRIVINA. All images courtesy NTU Centre for Contemporary Art (NTU CCA), Singapore.

Irene Agrivina: Interspecies Matchmaking

Portrait of TAMARA DEAN. All images courtesy the artist and Michael Reid, Sydney/Berlin.

Tamara Dean: In the Vanishing Wild

Portrait of MAE-LING LOKKO. All images courtesy the artist.

Mae-ling Lokko: Building Blocks for the Future

Detailed installation view of _Colours of Grey_, 2018, fresco on wall, pigment, medium, water, dimensions variable, at the exhibition of the Marcel Duchamp Prize, MNAM Centre Pompi

Thu Van Tran: The Materiality of Memory

Installation view of _Ghost Island_, 2018, bamboo scaffolding, found wood, fishing nets removed from coral reefs, 8 x 6 x 8 m, at Nopparat Thara Beach, Krabi, Thailand Biennale, 20

MAP Office: Beneath the Concrete, the Ocean

Installation view of *PRABHAKAR PACHPUTE*'s _Sea of Fists_, 2018-19, charcoal and acrylic on plywood cutouts, metal, wood, coconut fiber, and cloth, dimensions variable, at Jameel

UP CLOSE: Prabhakar Pachpute

MERET OPPENHEIM, Portrait - photo with tattoo,1980, photo and spray, 29.5 x 21 cm. Photo by Heinz Günter Mebusch, Düsseldorf, 1978, AD109. Copyright Pro Litteris, Zurich.

Inside Burger Collection 37: Meret Oppenheim: Every Idea Is Born with Its Own Form

Installation view of *KEI TAKEMURA*'s _Renovated: Old Baccarat Glass from Kobe 1 and 2_, 2020, glass, synthetic cloth, fluorescent silk thread from Gunma, dimensions variable, at

Yokohama: 7th Yokohama Triennale: “Afterglow”