Issue

*PAUL HUTCHINSON*, _Kleistpark_, 2016, framed inkjet print, 195 x 135 cm. All images courtesy Galerie Russi Klenner, Berlin; Knust Kunz Gallery Editions, Munich; and Sies + Hoke, D

Inside Burger Collection 38: On the work of the artist Paul Hutchinson

*ROBERT JAHNKE*, _Whenua Kore_, 2019, lacquer, mild steel, powder coated aluminum, neon, mirror pane, mirror, laminated glass, toughened glass, electrical components, 25 x 153.5 x

Auckland: Toi Tū Toi Ora: Contemporary Māori Art

HUONG NGO and HONG-AN TRUONG, And And And - Stammering: An Interview, 2010 - , performance at

122 News Sections: Controversy, Career Moves, Public Domain

Photo of *LU YANG*'s _Delusional World_, 2020, video-performance with dancer Qin Ran: 45 min, live-streamed from Chronus Art Centre, Shanghai, 2020. Commissioned by ACMI, Arts Cent

122 In Depth: Lu Yang

Installation view of

122 In Depth: Cian Dayrit

Detailed installation view of *YANG FUDONG*'s _Endless Peaks III_, 2020, 14-channel video installation, photography collage, acrylic, glass and metal cabinet, adjustable spotlight,

122 In Depth: Yang Fudong

Preface: Interrupting The Program

Editor’s Letter: A Practice of Return

Exterior view of <i>A House for Essex in Wrabness</i>, designed by <b>GRAYSON</b> <b>PERRY</b> and <b>FAT</b> <b>ARCHITECTURE</b>. Photo by Jack Hobhouse. Courtesy Living Architect

Inside Burger Collection: Grayson Perry

<b>KEN</b> <b>LUM</b>, <i>Melly Shum Hates Her Job</i>, 1989, digital print for billboard, dimensions variable. Courtesy the artist.

News: Young Thirty Years

A masked visitor at the May 15 opening of

Big Story: Fits and Stars

Installation view of <i>Buddha Seokgamoni Preaching to the Assembly on Vulture Peak</i> (1755), repatriated by the Los Angeles County Museum of Art (LACMA). Courtesy LACMA.

Public Domain: Crisis Response

Portrait of <b>KATE</b> <b>DAW</b>. Photo by Giulia McGauran. Courtesy the University of Melbourne.

Obituaries: Honor Roll

Portrait of jailed Turkish cultural philanthropist <b>OSMAN</b> <b>KAVALA</b>. Courtesy the Free Osman Kavala campaign.

Controversy: Targets of Abuse