Issue

Detailed view of <b>DO HO SUH</b>'s <i>Jet Lag</i>, 2022, polyester fabric and stainless steel, 331.8 x 1047.9 x 3 cm, at Lehmann Maupin, New York, 2022. Copyright the artist. Phot

New York: Do Ho Suh

<b>KEN LUM</b>, <i>I Lost My Job</i>, 2021, digital print on archival paper, 198 x 259 cm. Courtesy the artist and Royale Projects, Los Angeles.

Toronto: Ken Lum

Installation view of <b>TALA MADANI</b>'s The New Landscape, 2022, oil on linen, 240 x 480 cm, at

Los Angeles: Tala Madani

Book Review: Voyages through Time

Book Review: Voyages through Time

Henry Shum

Henry Shum

From <b>JES FAN</b>'s <i>Mother of Pearl</i> series (2020-22). Courtesy the artist and Empty Gallery, Hong Kong.

Jes Fan: Nature and Nurture

<b>BRITTO ARTS TRUST</b>, <i>Chayachhobi</i>, 2022, painted mural. Photo by Nicolas Wefers. Courtesy the artists and Documenta, Kassel.

Kassel: documenta fifteen

Detailed installation view of <b>JASMINE TOGO-BRISBY</b>'s <i>Open City (In Suspension)</i>, 2022, mixed-media installation, dimensions variable, at

Auckland: Declaration: A Pacific Feminist Agenda

Detailed installation view of <b>SAEBORG</b>'s <i>Slaughterhouse</i>, 2021-22, latex, vinyl, synthetic polymer paint, and sound, dimensions variable, at

Sydney: Ultra Unreal

<b>THAO NGUYEN PHAN</b>'s <i>Portrait of March,</i> from the series <i>Dream of March and August</i>, 2019, watercolors on silk, 30 x 40 cm. Courtesy the artist and Sharjah Art Fou

Taking a Break

<b>KAZUNA TAGUCHI</b>, <i>the eyes of eurydice #26</i>, 2020, gelatin silver print, 14.7 x 10.7 cm. Courtesy the artist and Fondation d'entreprise Hermes, Tokyo.

Tokyo: Kazuna Taguchi

Installation view of <b>TSUYOSHI MAEKAWA</b>'s <i>Mannaka Tate no Blue</i> <i>(A18)</i>, 1964, oil and burlap on canvas, 162.5 x 130.5 cm, at

Hong Kong: Tsuyoshi Maekawa

<b>ARLONZIA PETTWAY</b>, <i>Chinese Coins</i>, 1965-76, corduroy, denim, and cotton twill, 223.5 x 185.4 cm. Courtesy the Museum of Fine Arts, Houston.

One on One: Gee’s Bend Quilters

Installaion view of <b>BANG NHAT LINH</b>'s <i>The Vacant Chair</i>, 2013-15, mixed-media installation, dimensions variable, at

Ho Chi Minh City: Illuminated Curiosities