Issue

Illustration by <b>JEREMY LEUNG </b>for <i>ArtAsiaPacific</i>.

The Point: Reforming Relationships in the Classroom

Installation view of <b>SHINRO OHTAKE'</b>s <i>MON CHERI: A Self-Portrait as a Scrapped Shed</i>, 2012, mixed media, dimensions variable, at dOCUMENTA(13), Kassel, 2012. Photo by Y

Previews: Under the Spotlight

Photo of <b>VICTORIA KOSASIE'</b>s <i>BASINS</i>, 2022, live performance, approximately 22 min, at Central Saint Martins, London, 2022. Courtesy Jordan Chan.

New Currents: Taking On Tradition

Installation view of<b> MOSES TAN</b>'s <i>An immaculate end to a disembodied beginning</i>, 2021, polymer clay, found furniture, and acrylic, dimensions variable, at

Queering the Dot

Portrait of <b>RADHIKA KHIMJI</b>. All images courtesy the artist and Experimenter, Kolkata.

Radhika Khimji: Embodying the Mind’s Eye

Portrait of <b>ALI EYAL</b>. Photo by Samar Al Summary. All images courtesy the artist.

Ali Eyal: Land of Shadows Fertilized with Unbridled Memories

Portrait of PACITA ABAD. Courtesy the Pacita Abad Art Estate.

Pacita Abad: Stitched, Padded, and Layered Senses of Self

<i>The Retrieval, Restoration and Predicament</i>, 2018, still from single-channel video: 31 min 28 sec. All images courtesy the artist, unless otherwise noted.

Lee Kai Chung: Crisscrossing Time

<b>MIKA ROTTENBERG</b> and <b>MAHYAD TOUSI</b>, <i>Remote</i> 2022, still from film with color and sound: 91 min 50 sec. Courtesy the artists and Hauser & Wirth.

Up Close: Mika Rottenberg And Mahyad Tousi

<b>RIYA CHANDIRAMANI</b>, <i>Thank You Ji</i>, 2022, acrylic and calligraphy ink on canvas, 91.5 x 160 cm. Courtesy the artist.

Up Close: Riya Chandiramani

Installation view of <b>CHANG YOONG CHIA'</b>s <i>A Leaf Through History: Family Tree</i>, 2022, batik on cloth with wooden rod attached to rubber tapper's knives, 440 x 540 x 90 c

Up Close: Chang Yoong Chia

The Swamp (Dreesberg Bog), 2007. Photo by the artist. All images copyright Yehudit Sasportas / VG Bild-Kunst, Bonn; courtesy the artist.

Inside Burger Collection: Yehudit Sasportas

Installation view of <b>COSIMA VON BONIN'</b>s <i>Venice 1984</i>, 2022, painted steel, boat motor, glass reinforced plastic, steel, 250 x 300 x 75 cm, at

Venice: 59th Venice Biennale

Installation view of <b>ANGELA MELITOPOULOS'</b>s <i>Matri Linear B - Surfacing Earth</i>, 2021, two-channel video and eight-channel sound installation: 75 min, at the 17th Istanbu

Istanbul: 17th Istanbul Biennial