Issue

Portrait of <b>SEUNG YUL OH</b> and <b>JUNGEUN LEE</b>, with their daughter, Eunhu, in the middle. All photos by Hutch Wilco for ArtAsiaPacific, unless otherwise stated.

Seung Yul Oh and Jungeun Lee

<b>CHRISTINE SUN KIM</b>, <i>Cues on Point</i>, 2022, still from two-channel digital video: 4 min 21 sec. Courtesy the artist and François Ghebaly, Los Angeles/New York.

Vienna: “Christine Sun Kim: Cues on Point”

Installation view of “Wood Deity,” at Gallery Hyundai, Seoul, 1990. Photo by the artist. Courtesy the artist and Gallery Hyundai, Seoul/New York.

Shim Moon-Seup: Harnessed From Nature

<b>MARTIN WONG</b>, <i>My Secret World 1978-81</i>, 1984, acrylic on canvas, 121.9 × 172.7 cm. Copyright Martin Wong Foundation. Courtesy Martin Wong Foundation; P.P.O.W., New York

Berlin: “Martin Wong: Malicious Mischief”

Installation view of <b>SAMSON YOUNG</b>’s <i>Variations of 96 chords in space (feat. William Lane)</i>, 2022–23, four-channel video installation with six channels of audio (compos

New York: “Samson Young: Frames and variations”

Book Review: “Internationalist Aesthetics: China and Early Soviet Culture”

Book Review: “Internationalist Aesthetics: China and Early Soviet Culture”

Sung Tieu: Architectures of Control

Portrait of <b>CITRA SASMITA</b>. Photo by Gus Agung/Niskala Studio. All images courtesy the artist.

Citra Sasmita: Imagined Cosmologies

Book Review: “I Am An Artist (He Said)”

Book Review: “I Am An Artist (He Said)”

<b>YUN HYONG-KEUN</b>, <i>Burnt Umber & Ultramarine</i>, 1981, oil on hanji, 64 × 47 cm. All photos by Yun Seong-ryeol. All images courtesy David Zwirner, New York/London/ Hong Kon

Surface Matters: Yun Hyong-Keun’s Years In Paris

Portrait of IMELDA CAJIPE ENDAYA. Photo by Abdullah Ali Mapandi. All images courtesy the artist and Visual Arts and Museum Division, Cultural Center of the Philippines (CCP), unles

Imelda Cajipe Endaya: The History is Female

Courtesy The Unit Project.<br>

Book Review: “Unit: A Glimpse into Singapore’s 1970s-’80s Private Apartments”

Portrait of IMELDA CAPIJE ENDAYA.

Editor’s Letter: Time Memorialized

Photo of <b>MARINA ABRAMOVIC</b>'s 736-hour-long performance, <i>The Artist Is Present</i>, 2010, at the Museum of Modern Art (MoMA), New York, 2010. Photo by Antonio Zugaldia. Ima

One on One: Kawita Vatanajyankur on Marina Abramović