Issue

TIAN JIANMING, My Teachers, 2009, Colored resin, 360 x 60 x 120 cm. Courtesy Today Art Museum, Beijing.

Beijing: Starting

Installation view of “M+ Bamboo Theatre Exhibition,” 2012. Courtesy West Kowloon Cultural District Authority, Hong Kong.

Hong Kong: M+ Bamboo Theatre Exhibition

SARA RAHBAR, Flag #20, 2008, Mixed-media textile. Photo by Reha Sodhi. Courtesy Devi Art Foundation, New Delhi.

New Delhi: Elephant in the Dark

Beirut: Marwan Rechmaoui

BURAK DELIER, Collector’s Wish, 2012, Site-specific installation including a wall painting, nine-minute-long video and easel. Photo by Rıdvan Bayrakoğlu. Courtesy Pilot Galeri, Ist

Istanbul: Burak Delier

ARTURO SANCHEZ, Invitation to Curiosity, 2011, Oil on canvas, collage on sand blasted mirror, 122 x 122 cm. Courtesy Primo Marella Gallery, Milan.

Milan: Latitudes. Encounter with the Philippines. Part II

Berlin: Ryoji Ikeda

ZARINA BHIMJI, Yellow Patch, 2011, Two stills from single-channel video, 33 min. Courtesy the artist and Design and Artists Copyright Society, London.

London: Zarina Bhimji

PRATCHAYA PHINTHONG, What I Learned I No Longer Know; The Little I Still Know, I Guessed, 2009, Zimbabwean dollar banknotes. Collection Kadist Art Foundation, Paris. Courtesy New M

New York: The Ungovernables

SEAN CORDEIRO and CLAIRE HEALY, Par Avion (detail), 2011, Installation created from parts of a Cessna airplane. Courtesy the artists and Courtesy Frey Norris Contemporary & Modern,

San Francisco: Claire Healy & Sean Cordeiro

MING WONG, Making Chinatown, 2012, Still from seven-channel video installation. Courtesy the artist and REDCAT, Los Angeles.

Los Angeles: Ming Wong

INFINITY NET translated by Ralph McCarthy. Tate Publishing, London, 2011. Hardcover with black-and-white illustrations, 256 pages.YAYOI KUSAMA edited by Frances Morris. Tate Publis

BOOK REVIEW: Yayoi Kusama

SOPHEAP PICH in his studio in Prek Leap village, 2012.

Sopheap Pich

THE LAST WORD: Concrete Ambitions