Issue

*LEE UFAN*, _Dialogue--space_, 2011, acrylic on wall, dimensions vary with installation. Photo by David Heald. Copyright Solomon R. Guggenheim Foundation, New York.

New York: Lee Ufan

Skyline of Seoul. Photo by Olivier Krischer for ArtAsiaPacific.

Dispatch: Seoul

Forwarding Address

CHIM↑POM, Real Times, 2011, Video still. Courtesy the artist and Mujin-to Production, Tokyo.

ONE ON ONE: Makoto Aida on Chim↑Pom

Aerial view of Taksim Square in Istanbul, 2011. Photo by HG Masters for ArtAsiaPacific.

DISPATCH: Letter from Istanbul

Illustration by Ramona Heiligensetzer

THE POINT: Chollywood Vs. Hollywood

Illustrations by Erik Carter.

CURRENT AFFAIRS: What ails Taiwan's museums

JALAL TOUFIC, two sets of stills from Mother and Son; or, That Obscure Object of Desire (Scenes from an Anamorphic Double Feature), 2006, video: 41 min. Courtesy the artist.

PERSPECTIVE: What is Jalal Toufic talking about?

Young artists at the Alexandria Contemporary Art Forum in Egypt, taking part in the three-day workshop held there in May 2011. Courtesy Heman Chong.

PERSPECTIVE: Writing Revolutions

RYAN GANDER, We never had a lot of € around here, 2010, a single 25 euro coin from 2036. Photo by A. Burger. Courtesy gb agency, Paris.

CASE STUDY: Eurovision 2036

“Pines” 2011, From a series of black-and-white photographs, 40 x 33 cm each. Courtesy the artist.

IN DEPTH: Dor Guez

EVEN THOUGH ALMOST EVERYTHING HE DID HAD THE CONSEQUENCE OF DOING THE OPPOSITE. ONE SMALL WRONG DECISION, A BAD DECISION, LEADS TO WRONG OPTIONS, WHICH HAD LED TO FURTHER WRONG O

PERSONAL HISTORY: Dale Frank

OBDACH, 1997, site-specific room installation encasing a public monument in Cologne, Germany. Photo by Carsten Gliese. Courtesy the artist and Arataniurano, Tokyo. All images in th

Tatzu Nishi: Agent of Transformation

Break the Cycle of Seeing: Indian Minimalism