Issue

YAO CHUNG-HAN, Scattered Coordinates 1, 2008–10, mirrors and flashing neon lights, installed at the Intercommunication Center, Tokyo, 2010. Courtesy the artist.PRATCHAYA PHINTHONG,

NEW CURRENTS: Yao Chung-han, Pratchaya Phinthong, Angki Purbandono

ERIK GÖNGRICH’s project titled “Picnic,” for “One Day in the Room,” in collaboration with ODA PROJESI, Galata, June 10, 2001. Copyright Peter Mörtenböck and Helge Mooshammer. Court

PERSPECTIVE: Biennials and Infrastructure Shift – Part I

A young monk in Yushu, China, 2012. Photo courtesy Arahmaiani Feisal.

PROJECT: My Second Life in Tibet

TITH KANITHA, Close Friends (detail), 2011, wire installation, for the exhibition “SurVivArt - Arts for the Right to a Good Life,” at Mikael Andersen gallery, Berlin, 2012. Courtes

SURVEY: Healing the Wounds

JOSÉ ANTONIO VEGA MACOTELA, Intercambio 331 / Time Exchange 331, 2010, a collaborative project in which the artist spied on the ex-lover of an inmate, who in exchange made a boardg

CASE STUDY: Prison Breaks

SIMON and CATRIONA MORDANT at the Museum of Contemporary Art in Sydney, 2010. Photo by Amos Aikan. Courtesy and copyright NewsPix.

Simon & Catriona Mordant

SULTAN SOOUD AL-QASSEMI in front of Khaled Hafez’s Divine Exodus, 2009, during Barjeel Art Foundation’s inaugural show, “Peripheral Visions,” Sharjah, 2010. Courtesy Barjeel Art Fo

Sultan Sooud al-Qassemi

Promotional video, Tokyo, 2012. By Kihara Takeru.All images in this article, unless otherwise noted, are courtesy the artists.

Trippple Nippples: I Like I Like I Like I Like . . . To Freakout

THE THREE DISAPPEARANCES OF SOAD HOSNI, 2011, 70-minute film pieced from VHS footage of Egyptian films starring Soad Hosni. Courtesy the artist. All images in this article are stil

Rania Stephan: Life on Screen

Olympic “medals” installed at Boers-Li Gallery for “Welcome to Xijing – Xijing Olympics,” Beijing, 2008.All images in this article, unless otherwise noted, are courtesy the artists

Xijing Men: The Capital of Absurdia

SIFIR-CYPHER, 1991, welded tin cans, 209 x 209 x 16 cm. Photo by Reha Arcan.All images in this article, unless otherwise noted, are courtesy the artist and Rampa, Istanbul.

Vahap Avşar: (Re)Circulation Problems

FU BAOSHI, Heavenly Lake and Flying Waterfall, 1961, hanging scroll, ink and color on paper, 105.6 x 60 cm.All images in this article are from the collection of Nanjing Museum, and

New York: Fu Baoshi

HE XIANGYU, Skeleton, 2010, jade replica of human skeleton. Photo by Zan Wimberley. Courtesy 4A Centre for Contemporary Asian Art, Sydney, and Pearl Lam Gallery, Shanghai.

Sydney: He Xiangyu

KIM EULL, Untitled, 2009, watercolor on found paper, 27 x 38 cm. Courtesy the artist.

Seoul: Kim Eull