Issue

Detail of *SUAT OGUT*'s _Completing the Disappeared Landscape_, 2023, architecural model, dimensions variable, from

Istanbul: A Special Place in Hell

*AHMAD GHOSSEIN*, _So your heart aches, huh?_ or _The Pit_, 2023, single-channel video: 26 min. Courtesy the artist and Marfa' Projects.

Beirut: Serotonin, Benzine, and a Renegade Body

*ARPITA SINGH*, _The Swans Did Not Come Back This Year_, 2022, oil on canvas, 91 x 122 cm. Courtesy the artist and Vadehra Art Gallery, New Delhi.

New Delhi: Out of the Doldrums and Into the Fire

Portrait of (left to right) photographers *TANZIM WAHAB*, *SHAHIDUL ALAM*, and *MUNEM WASIF*, the three co-cocurators of the canceled 10th Biennale fur aktuelle Fotografie, schedul

Dhaka: Listening to Disquiet

Installation view of *LEMBANA ARTGROECOSYSTEM*'s _Bhako: So Which of the Favors of Your Land Would You Deny_, 2023, mixed media and dimensions variable dimensions. Courtesy the art

Festivals of 2023: Biennale Jogja 17

Installation view of (left to right) *JAKKAI SIRIBUTR*'s _PSA_, antique Indian brocade, beads, threads, and embroidery, 136 x 83 cm; _SST_, antique Indian brocade, beads, threads,

Bangkok: Textures of Memory and Exchange: Interview with Jakkai Siributr

Portrait of *SHUBIGI RAO*, 2022. Photo by Alfonse Chiu.

Singapore: Hopeful Interruptions: Interview with Shubigi Rao

Installation view of *NGUYEN THI THANH MAI*'s _Shadow_, 2014, ink on digital C-type print, at

Ho Chi Minh City: The Renanimated, Resilient Metropolis

*ENZO CAMACHO* and *AMI LIEN*'s _Langit Lupa_, 2023, still from digital video and 16mm film: 56 min 21 sec. Courtesy the artists and 47 Canal, New York.

Hong Kong: Listening Through Imagery: Interview with Enzo Camacho and Ami Lien

*JAN SUNDAY*, _Illumination_, 2023, mixed-media installation with antique candelabra, wooden hands, and mirror, dimensions variable, at the San Jose Capital City Center in Viva ExC

Manila: Resurgence of Site and Critique

Installation view of *FRANCOIS KNOETZE*'s _Core Dump_, 2018-19, e-waste installation and four-channel video: 46 min, dimensions variable, at the 12th Seoul Mediacity Biennale,

Seoul: The Grand Stage

*DON'T FOLLOW THE WIND* collective at one of the exhibition sites in the Fukushima Exclusion Zone in 2015. Courtesy Don't Follow the Wind.

Fukushima: Dispatch from an Exclusion Zone

Installation view of *JONATHAN JONES*'s _untitled (transcriptions of country)_, 2023, at Artspace, Sydney. Photo by Zan Wimberley. Courtesy Artspace.

Sydney: The Call and Response Across Time: An Interview with Jonathan Jones

Editor’s Letter: Getting Up Close