Issue

LEE IN-SUNG, Valley in Gyeongju, 1934, oil on canvas, 130 x 194.7 cm. Courtesy Leeum, Samsung Museum of Art, Seoul.

Seoul: Beyond and Between

YAO JUI-CHUNG, Roaming Around the Ruins IV - Gods & Idols Surround the Border The Sanzhi UFO Houses: The Lovers, 1993, black-and-white photo print on fine art paper, 100 x 150 cm.

Hong Kong: Unseen Existence

Installation view of LUCY DAVIS's Ranjang Jati: The teak bed that got four humans from Singapore to travel to Muna Island, Southeast Sulawesi and back again, 2014, for

Singapore: When You Get Closer to the Heart, You May Find Cracks...

RAMESHWAR BROOTA, Self Portrait, 1963, oil on canvas, 61 x 41 cm.Courtesy Kiran Nadar Museum of Art, New Delhi.

New Delhi: Rameshwar Broota

MARIAM SUHAIL, Interruptions 1, 2014, C-type prints, diasec, 30.5 x 45.7 cm each. Courtesy Grey Noise, Dubai.

Dubai: Mariam Suhail

Installation view of

Istanbul: The Roving Eye

HARUN FAROCKI, Serious Games I: Watson is Down, 2010, still from two-channel video installation: 8 min. From the series

Berlin: Harun Farocki

SHILPA GUPTA, Untitled, 2014, site-specific installation of photographs and drawings. Courtesy the artist and Galleria Continua, San Gimignano/Beijing.

San Gimignano: Shilpa Gupta

PIO ABAD, Thirty-eight Pieces of Royal Silverware Sequestered by the Republic of the Philippines and Subsequently Sold by Christie's on the 10th of January 1991 (Images Taken from

London: Pio Abad

NAM JUNE PAIK, Robot K-456, 1964, 20-channel radio-controlled robot, aluminum profiles, wire, wood, electrical divide, foam material and control-turn out, 183 x 103 x 72 cm. Courte

New York: Nam June Paik

HA CHONGHYUN, Work 74-06, 1974, oil on hemp, 153.4 x 116.2 cm. Courtesy the artist and Blum & Poe, Los Angeles.

Los Angeles: From All Sides

CHEWING GUM AND CHOCOLATE. Photographs by Shomei Tomatsu. Edited by Leo Rubinfien and John Junkerman. Published by Aperture, New York, 2014. Hardcover with black-and-white illustra

BOOK REVIEW: On the Border Between Love and Hate

Yuree Kensaku in her studio in Bangkok on New Year's Day.

Yuree Kensaku

FINE PRINT: The Dilemma of "Illegal" Art