Issue

SONIA KHURANA, Somnambulist’s Song, 2008–10, two-channel video installation: 15 min.Music in arrangement with Wasifuddin Dagar and Frøy Aagre. Courtesy Kiran Nadar Museum of Art, N

New Delhi: Sonia Khurana

REZA ARAMESH, Action 137: 6:45 pm, 3 May 2012, Ramla, 2014, hand-carved Carrera marble, 136 x 40 cm. Courtesy the artist and Leila Heller Gallery, New York.

Dubai: Reza Aramesh

MOUNIRA AL-SOLH, Sama’/Ma’as (Bahr), 2014, double-sided patchwork curtain, 270 x 254 cm. Courtesy the artist and Sfeir-Semler Gallery, Beirut & Hamburg.

Beirut: Mounira al-Solh

EXTRASTRUGGLE, Fuck Your Standard, 2014, acrylic on paper, 140 x 100 cm. Courtesy Galeri Non, Istanbul.

Istanbul: Extrastruggle

TADASHI KAWAMATA, installation view of the artist’s reinstallation of the Asia Collection at the Museum of Applied Arts (MAK), Vienna, 2014. Courtesy MAK.

Vienna: Tadashi Kawamata

AI WEIWEI, Very Yao, 2009–14, 150 bicycles, dimensions variable. Copyright the artist. Courtesy Martin-Gropius-Bau, Berlin.

Berlin: Ai Weiwei

APICHATPONG WEERASETHAKUL in collaboration with Chai Siri, Dilbar, 2013, single-channel video installation projected on a transparent screen: 10 min. Copyright the artist. Courtesy

London: Apichatpong Weerasethakul

TSUYOSHI MAEKAWA, Shiro No Uneri (A8), 1962, oil and burlap on canvas, 130.5 x 162.5 cm. Courtesy Dominique Lévy Gallery, New York.

New York: Tsuyoshi Maekawa

TANYA HABJOUQA, from the series “Occupied Pleasures” (2011– ), archival inkjet print, 27.9 x 43.2 cm. Courtesy Whitebox Art Center, New York.

New York: How Green Was My Valley

CHANG’AN AVENUE AND THE MODERNIZATION OF CHINESE ARCHITECTURE. By Shuishan Yu. Published by University of Washington Press, Seattle, 2013. Hardcover with color illustrations, 344 p

BOOK REVIEWS: Avenues of History

(From left to right): Ramin Haerizadeh, Rokni Haerizadeh and Hesam Rahmanian in the pattern-splashed living room of their live-in studio in Dubai’s al-Barsha neighborhood.

Ramin Haerizadeh, Rokni Haerizadeh & Hesam Rahmanian

FINE PRINT: Damage Inc.

RUMMANA HUSSAIN, sketch for In Between from “In Order to Join,” 1998, ink on paper,26 x 22.2 cm. Copyright Estate of Rummana Hussain. Courtesy Talwar Gallery, New York / New Delhi.

Rummana Hussain

View from the Bitexco Financial Tower in downtown Ho Chi Minh City. Photo by Ruben Luong for ArtAsiaPacific.This year's Reunification Day in Vietnam, on April 30, marked 39 years s

DISPATCH: Ho Chi Minh City