Issue

SEMIHA BERKSOY, Mom and I, 1974, Oil on masonite, 100 x 70 cm. Courtesy Galerist, Istanbul.

Istanbul: Semiha Berksoy: Wall of Hallucination

MOUNIRA AL-SOLH, Now Eat My Script, 2014, Still of HD video: 24 min 50 sec. Courtesy the artist and Sfeir-Semler Gallery, Beirut/Hamburg.

Berlin: Mounira al-Solh

DANH VO, Your Mother Sucks Cocks in Hell, 2015, Marble fragment of a child, Roman workshop, 1st–2nd century AD; oak and polychrome Madonna and child, French Early Gothic; plywood,

London: Danh Vo

SUSAN TE KAHURANGI KING, Untitled, c. 1978, Graphite and colored pencil on paper, 18.4 x 29.2 cm. Courtesy Andrew Edlin Gallery, New York.

New York: Susan Te Kahurangi King

ARIN RUNGJANG, Golden Teardrop, 2013, Sculpture and video installation, 320 x 500 x 400 cm. Installed for “A Special Curatorial Project With Rirkrit Tiravanija: The Way Things Go”

San Francisco: The Way Things Go

PLAYING WITH SLIPPERY LUBRICANTS by Apinan Poshyananda, Selected Writings, 1993–2004. Published by Office of Contemporary Art and Culture, Ministry of Culture, Bangkok, 2010. Softc

BOOK REVIEWS: Disruptor with a Smile

Kwok Mang-ho, or Frog King, in his studio in Hong Kong, wearing his Life Body Installation (2014), which combines fishermen, agrarian and Taoist traditions. The cape is crafted fro

Frog King Kwok Mang-ho

THE SKETCH: Tomoo Gokita

THE SKETCH: Tomoo Gokita

*KISHIO SUGA*, _Continuous Existence – M_, 2015, Wood, rope and stone, dimensions variable. Photo by Keizo Kioku. Courtesy Museum of Contemporary Art Tokyo.

Tokyo: Kishio Suga, “Situated Latency”

Dial M for Madness

Dial M for Madness

HO SIN TUNG, Zhong Ling Ling, 2013, color pencil on paper, 54 x 40 cm.Courtesy the artist.

ONE ON ONE: Ho Sin Tung on Zhong Ling Ling

Aerial view of Yogyakarta. Photo by Iryna Rasko.

DISPATCH: Yogyakarta

Illustration by Yasmine Gateau.

THE POINT: Dslcollection

The promotional poster of the first exhibition,

Beyond Space: A History of Hong Kong's Artist Networks