Issue

NAVIN RAWANCHAIKUL, Pha Khao Mar on Tour, 1997, mixed media. Photograph Norihiro Ueno.

Crossroads of Culture

CHUANG CHE, Love, 1967, oil and rice paper collage on canvas, 116 x 116 cm, collection the artist. Photograph Jack Abraham.

Revisiting Abstraction

YIN XIUZHEN, Chassé-Kazerne Military Barracks, Room 18, Block H, 1997, installation, dimensions variable.

Another Long March

SHEN YUAN, Three Chairs, 1994, (detail), mixed media.

Uncertain Pleasure

AH XIAN, Implement of Deduction, 1997, mixed media, dimensions variable, courtesy La Salle-SIA College of the Arts, Singapore.

In and Out of China

WANG GUANGYI, Red Visa No. 3, 1995, oil on canvas, 100 x 150 cm.

Quotation Marks

GEORGETTE CHEN, The Punjabi Man (The White Turban), c. 1958, oil on canvas, 61 x 50 cm.

Georgette Chen

DINH Y NHI, Three Women, 1996, watercolour on rice paper, 75x 110cm.

Building Bridges

GAYE CHAN, That the Earth is Round has Been Proven (Front Sectional View), 1995, felt-tip marker on paper map, wooden hanger, embroidered shirt, thread, 122 x 94 x 9 cm, collection

Artists Hawaii

SHIN MYEONG-EUN, Pooooodle, 1997, installation, SCAI the Bathhouse, Tokyo, with the assistance of CPC Nicker Color Company. Photograph Koichi Hayakawa.

Identity Complex: Shin Myeong-eun

MIYAJIMA TATSUO, It of the Future, 1986, installation, scrap, machines, television monitor, video, lights, light-emitting diodes, (LEDs) integrated circuits, 700 x 350 x 200 cm, co

Life without Zero: Miyajima Tatsuo

SUZANN VICTOR, Third World Extra Virgin Dreams, 1997, metal bedframe, glass, blood and magnifying discs.

Disembodied Aesthetic: Suzann Victor

REKHA RODWITTIYA, At the Threshold, 1997, acrylic and oil on canvas, 183 x 122 cm. Photograph Himanshu Pahad.

Daily Rituals

SULAIMAN ESA, Garden of Mystery I, 1992, mixed media, 185 x 180 cm, collection the Queensland Art Gallery.

Sacred Pictures: Spirituality in Malaysian Art