Issue

LILIANE ROGOZYK, Fleur de Nickel (Nickel Flower) (detail), 1995, ferro-nickel, photograph courtesy the artist.

Le nickel + L'initiative

RICK BARTOW, Complex My Story (Susanna and the Elders I), 1995, pastel and graphite on paper, 101.5 x 66 cm, courtesy Froelick Adelhart Gallery, Portland

Burning Bridges

EDGAR HEAP OF BIRDS, Vacant, 1994, marker on rag, 198 x 305 cm, courtesy Saint Louis Art Museum.

Sixteen words

YUK KING TAN, Ping, 1995, mixed media, 163 x 140 x 14 cm, courtesy the artist and Sue Crockford Gallery.

New Zealand Neuroses

PABLO PICASSO, Massacre in Korea, 1951, oil on canvas, 109.5 x 209.5 cm. Collection Musée Picasso, Paris. © Succession Picasso/DACS 1996.

From Chosun Dynasty to Segehwa: A Cultural Mapping Of Contemporary Korea

CHOI JEONG-HWA, The Death of the Robot- About Being Irritated, 1995, fabric, air compressor, oil pressure equipment, movement timer, CD player and speakers, 500 x 700 x 200 cm. Pho

Videomatic: The momentum of contemporary Korean art

NAM JUNE PAIK, Greene 3,1995, radios, record, 89 x 88 x 25 cm, courtesy Gallery Hyundai, Seoul.

PortaPaik

KIM SOO-JA, Lying on Nature, 1994, cloth, installation Oksan-Soewon Valley, Kyungju.

Baubles, Bangles and Beads

PARK SEO-BO, Ecriture No 41,1978, pencil and oil on hemp cloth, 184.5 x 300 cm.

Painting Nothing: Monochrome painting in Korea

LEE SANG-MOON, KIM JUNG-TAE, The Battlefront is Just in Front of Us, 1975, 189 x 290 cm. Collection Chosun Art Museum, Pyung-yang.Paintings that depict stories from the life of the

The Battlefront is Just in Front of Us: Chosun Painting in North Korea

SOKHI WAGNER, Simultaneity 1990, photograph, rag board, hinges, 51 x 12.5 x 25.5 cm.

In the Eye of the Tiger: New Korean art in the United States

CHOI JEONG-HWA, Room with a View, 1994, (detail) round plates, brass rice bowls, ornamental statues of trophies, chandelier, 400 x 1 O0 x 100 cm. Collection the artist.

Flim-Flam And Fabrication

MASATO NAKAMURA, Navin Gallery Bangkok, 6-31 March 1995, (detail) from

Navin Rawanchaikul’s Social Research

SHEELA GOWDA, Untitled, 1995, cow dung, each .7.5 x 23 x 12 cm.

Sensuality and Violence in the Art of Sheela Gowda