Issue

The Necessity of Craft: Development and Women's Craft Practices in the Asian-Pacific Region

CHOI HYUNSOO, The Glove, 1993, collage on canvas, 200 x 200 cm.

A Korean Artist in Europe: Choi Hyunsoo

CHEN SHUN-CHU, Family Parade, 1995, coral stone house and framed photographs on Pencjhu Island, courtesy IT Park Gallery.

Made in Taiwan

MASATO NAKAMURA (Japan), Frontside of the Backside, 1996, (detail) installation at Pae Saen Temple.

Through the keynote

SIMEON NELSON, Omphalos, 1991, hardwood, shellac, 108 x 96 x 18 cm, from the exhibition 'Systems End'.

Australia Month at the Seoul Arts Centre

KAO CHUNG-LI, Body, 1987, photograph.

Asian View - Asia in Transition

JOYCE CAMPBELL, Terminal, 1995, installation, Artspace, Auckland.

Bodies in Question

SADASHI INUZUKA, Nature of Things, 1995, clay installation, 6000 square feet.

Nature of Things: Sadashi Inuzuka

BAYU UTOMO RADJIKIN, Damaged, 1990, oil on wood.

Bayu Utomo Radjikin

PINAREE SANPITAK, The Black and the White, 1995, acrylic and pastel on canvas, 200 x 150 cm.

Three Women

AHN SUNG-KEUM, La Strada per Buddha, 1995, Buddhist Sutra on canvas, plastic and bronze, flour, dimensions variable.

You art not here

The old Vanuatu Cultural Centre showing the namwele plant. Photograph Lissant Bolton.

An itinerant museum: The new Vanuatu Cultural Centre

Brenwei Dancers at Mini Arts Festival, Vila, Vanuatu. Photograph Lissant Bolton.

Dance Party

FRITZ SARASIN, Hienghène, 1911.

Kanak Portraits