Issue

HAN LEI, Kaifeng, Henan Province, 1991.

Imagining Reality: Contemporary Chinese Photography

RIRKRIT TIRAVANIJA, Untitled (Still), 1995, installation, 303 Gallery, New York.

Letting Go

MARIKO MORI, Tea Ceremony, 1994, duraflex print, 122 x 152.5 cm, courtesy American Fine Arts.

The Cyber Chic of Mariko Mori

REA, Yellow Reminds Me of the Roses Which I Put on My Uncle's Grave from the series 'Highly Coloured - My Life is Coloured by My Colour', 1993-94, computer-generated photograph, 18

Mind, Body and Soul: The photographic and computer art of Rea

CATHERINE TRUMAN, ....Supple as a Garment of Heavy Water, 1991, mother of pearl, inks, 7 x 3 x 1.5 cm

Catherine Truman: On Not Being Japanese

JACQUELINE FRASER, The Veil, 1994, wire, ninety-two pieces, 100 x 280 crn, Peter McLeavey Gallery, Wellington.

Totally Wired: Jacqueline Fraser's poetics of space

Courtesy the artists.

Amanda Heng

N.N. Rimzon, Far Away From Hundred and Eighty Feet, 1992, terracotta, straw and rope, dimensions variable.

Between the Pot and the Sword: The Art of N. N. Rimzon

Installation view of 'Francesco Clemente: Watercolours and Pastels' exhibition at Kyoko Chirathivat, Bangkok.

Galerie Kyoto Chirathivat

SU XINPING, Old Town, 1995, lithograph, 63 x 45 cm.

Out of the Grasslands: Su Xinping

PING CHONG, Chinoiserie, 1995. Photograph Carol Rosegg.

Chinoiserie: Ping Chong

K.P. SOMAN, Sang No Songs .... 1994, coconut leaf and shell, plug socket, wire, metal items, glass case, staples, light, remote, a poem, 21.5 x 32 x 28 cm.

A Tree in My Life

KIM MYUNG HYE, Expression Against Suppression, 1994, wire, steel plate, water, motor, mixed media, 300 x 500 cm.

Beyond the borders: The Inaugural Kwangju Biennale

KIM JUNG-HEUN, Seoul Anthem, 1993-5, ink, acrylic, sticker on canvas, 160 x 200 cm.

Readymade Biennale: More on the Kwangju Biennale