Issue

Singapore Art Museum

Singapore Art Museum

JIN WEIHONG, Figure Paintings, Chinese ink on paper.

Beijing Report

DAN RARALIO, Mental Block, 1995, synthetic marble and steel, 17 x 64.5 x 49 cm.

Pillow Talk

MAGDALENA ABAKANOWICZ, Geminati, 1990, birch branches, gauze, burlap and wire (foreground); Infantes, 1992, thirty-three burlap resin figures (background).

After Hiroshima

DOMENICO DE CLARIO, Seven-ness: Sub Lunar, April-October 1995, performance, Museum of Modern Art Heide.

Early Morning llluminations

TAWATCHAI PUNTUSAWASDI, Standing Egg, 1994, wood, water, steel, 350 x 210 x 70 cm, 1995 Osaka Triennale.

Osaka Triennale 1995

VASAN SITTHIKET, Committing Suicide Culture: The Only Way Thai Farmers Escape Debt, 1995, plywood, metal, rope, 250 x 400 x 150 cm. Photograph Norihiro Veno.

Asian Modernism: Diverse Developments in Indonesia, the Philippines and Thailand

JOSEPH BEUYS, Die Horner (The Horns), 1961,145 cm high.

Art in trouble with the law in Hong Kong

Gallery Yamaguchi, showing sculpture by Kenji Sugiyama. Photograph Satoru Nagoya.

The art least likely to sell: Rental galleries in Tokyo

HONG SUNG-DO, Time Travel, 1995, BMW 325i car, wire, vise-grip, Art Tower Mito. Photograph Shigeo Anzai.

The Spaces Between: Territory of Mind: Korean Art of the 1990s

PAUL KLEMANN, Ozon Korrels CMU, 1993, painting, Cemeti Art Foundation.

Cultural Orientations: Art from the Netherlands and Indonesia

top: CHOI JEONG HWA, Miss Korea, 1994, polycoat, 47 x 82 x 64 cm. middle: LEE BUL, Majestic Splendour, 1995, (detail), fish, sequins, glass, steel box, 100 x 100 x 100 cm. bottom:

Harvest Moon: The Ssack exhibition at the Sonje Museum

CHU CHU YUAN, Preservation, May 1994, glass jars, light bulbs, rubber nipples, metal bowls, oil, eggs, milk, rope, concrete debris, Pacific Plaza Shopping Centre, Singapore.

Alternative Spaces and Radical Pleasures: Department Store Art

Everyday Sightings: An Interview with Wang Youshen