Issue

The House of Aboriginality, (detail) dining area including tablecloth by Tiwi Designs, plates by Studio Anna and wine bottle by McWilliams Hanwood Estate.

Copyrites

LUIS CHAN, Duck and Rooster Island, 1980, watercolour on paper, 69 x 135 cm. Collection Hanart Gallery.

Psychic Decolonisation

Video still of Apinan Poshyananda by lan Lang from the forthcoming Millennium Shift: The art of a new world order (SBS 1997).

[Cultural Crossfire]

KAZUO SHIRAGA, The Modern-Transcendent Sambaso, 1957, performance, Tokyo. Courtesy Ashiya City Museum of Art and History, Japan.

Gesture, Performance, behaviour, Attitude

MOHAMAD HADI, Srikandi as Goddess of the Indonesian Women's Movement, 1964, (detail) batik on cotton, 251.5 x 106 cm. Collection National Gallery of Australia.

Between the Cracks

ROZALIND DRUMMOND, Peeping Tom, 1995, fibre photograph, 61.0 x 50.8 cm, courtesy the artist and Monash University Gallery, Melbourne.

Rozalind Drummond

MIKA, Goddess II, 1995. Photograph Arian Hoeflak.

Mika Diva

IK-JOONG KANG, Untitled, 1996, mixed media on canvas, speakers, Seoul Art Space.

Ik-Joong kang

JUNG HYANG KIM, Rainbow in the Glass Shard, 1996, oil, oil stick and wax on canvas, 182.9 x 243.8 cm.

Jung Hyang Kim

John Young

Photography Alive!

Photography Alive!

KOO BOHN-CHANG, In the Beginning, 1995-96, gelatin silver print and cotton thread, 175 x 490 cm.

Novel Exposures

THOMAS ANDREW, Tattooed Samoan, c. 1893, albumen print on board, 19.5 x 13.6 cm, Rautenstrauch-Joest Museum of Ethnography, Cologne.

Picturing paradise

MANIT SRIWANICHPOOM, An Old Man in Traffic, 1993, photograph, 50.8 x 60.9 cm.

City of hell