Issue

EVEN THOUGH ALMOST EVERYTHING HE DID HAD THE CONSEQUENCE OF DOING THE OPPOSITE. ONE SMALL WRONG DECISION, A BAD DECISION, LEADS TO WRONG OPTIONS, WHICH HAD LED TO FURTHER WRONG O

PERSONAL HISTORY: Dale Frank

OBDACH, 1997, site-specific room installation encasing a public monument in Cologne, Germany. Photo by Carsten Gliese. Courtesy the artist and Arataniurano, Tokyo. All images in th

Tatzu Nishi: Agent of Transformation

Break the Cycle of Seeing: Indian Minimalism

Redefining China's Millenials

WHEAT MOLLA, 2011, wheat, cotton, 20 x 11 x 6 cm. Courtesy the artist.

Slavs and Tatars: Collective Eclecticism

AKIRA YAMAGUCHI, Narita International Airport: Various Curious Scenes of Airplanes, 2005 Pen and watercolor on paper, 96.5 × 76.5 cm. Photo by Kei Miyajima. Private collection, Ne

New York: Bye Bye Kitty!!!

JEENA SHIN, Artspace Stairwell Project (1973– ), 2009–11, Site-specific wall installation on the stairwell of Artspace, Auckland. Photo by Sam Hartnett. Courtesy Artspace, Auckland

Auckland: Jeena Shin

HAEGUE YANG, Mourning Architectural Caution, 2009, Light sculpture, clothing rack on casters with four metal arms, light bulbs, cable, fabric, knitting yarn, fringe, cord, rope, so

Sydney: Tell Me Tell Me

YANG FUDONG, No Snow on the Broken Bridge, 2006, 35 mm film transferred to DVD. Courtesy the artist and ShanghART Gallery, Shanghai, and Marian Goodman, Paris/New York.

Sydney: Yang Fudong

CHEN ZHEN , Cradle Foundation, 1993, Mixed-media installation with six, silkscreen prints on glass. Courtesy Tang Contemporary Art, Beijing.

Beijing: Tracing the Milky Way

A display of TSANG TSOU-CHOI’s Hong Kong passport, dated 1993, which the late artist graffitied with a string of words and numbers. Courtesy ArtisTree / Swire Properties, Hong Kong

Hong Kong: Tsang Tsou-choi

MANIT SRIWANICHPOOM, Pink Man Begins #1, 1997, C-print, 50.8 x 61 cm. Courtesy the artist.

Bangkok: Manit Sriwanichpoom

MICHAEL MÜLLER, Kreuz des Südens (“Southern Cross”), 2008, Varnish and pencil on paper, 61 x 44 cm. Courtesy Amrita Jhaveri Project Space, Mumbai.

Mumbai: Michael Müller

MASAO OKABE and CHIHIRO MINATO, “The Dark Face of the Light” 2002/2011,From a series of frottage work made using paper and pencil, 550 x 350 mm. Courtesy the artists.

Beirut: Image in the Aftermath