Issue

MUHAMMAD XEESHAN at Vasl International Artists Workshop on Gadani Beach, 2006.

Vasl: Minding the Gaps

WANG KEPING working on the sculpture Jeunesse et Amour Maternel [Youth and Maternal Love] at Parc Monceau, Paris. Photo by Armand Borlant for ArtAsiaPacific.

Wang Keping: Out on a Limb

View of the West Bank from the Herodium.Separation barrier, BethlehemStreet in Ramallah.

Within/Without

An untitled work from the series TO KWAN SHEUNG CHI, 2006, in which the artist and her husband reenact historical images of Jackson Pollock and his wife, Lee Krasner.An untitled wo

Wong Wai Yin: Hypothetical Objects and Handmade Autonomies

SIMON FUJIWARA, Welcome to the Hotel Munber, 2010, mixed-media room installation, shown in its entirety at PinchukArtCentre, Kiev. Private collection, London.

Art and Censorship in Singapore: Catch 22?

Forwarding Address

CHIM↑POM, Real Times, 2011, Video still. Courtesy the artist and Mujin-to Production, Tokyo.

ONE ON ONE: Makoto Aida on Chim↑Pom

Aerial view of Taksim Square in Istanbul, 2011. Photo by HG Masters for ArtAsiaPacific.

DISPATCH: Letter from Istanbul

Illustration by Ramona Heiligensetzer

THE POINT: Chollywood Vs. Hollywood

Illustrations by Erik Carter.

CURRENT AFFAIRS: What ails Taiwan's museums

JALAL TOUFIC, two sets of stills from Mother and Son; or, That Obscure Object of Desire (Scenes from an Anamorphic Double Feature), 2006, video: 41 min. Courtesy the artist.

PERSPECTIVE: What is Jalal Toufic talking about?

Young artists at the Alexandria Contemporary Art Forum in Egypt, taking part in the three-day workshop held there in May 2011. Courtesy Heman Chong.

PERSPECTIVE: Writing Revolutions

RYAN GANDER, We never had a lot of € around here, 2010, a single 25 euro coin from 2036. Photo by A. Burger. Courtesy gb agency, Paris.

CASE STUDY: Eurovision 2036

“Pines” 2011, From a series of black-and-white photographs, 40 x 33 cm each. Courtesy the artist.

IN DEPTH: Dor Guez