Issue

FANG ZHAOLING, Landscape (In Memory of My Teacher, Zhang Daqian I), 1983, ink and colour on paper, 47 x 68 cm, photograph courtesy the Hong Kong Museum of Art.

Hong Kong Report: Paintings by Fang Zhaoling and Chu Hing-Wah

Vasan Sitthiket at the 'I Love Thai Culture' exhibition at the National Gallery, Bangkok, February 1995. Photograph courtesy the artist.

Smile-a-While Campaigns for Cultural Correctness

PANYA VIJINTHANASARN, Different Mind, 1993, (detail) watercolour and acrylic, private collection.

A Question of Attitude

DAMRONG WONG-UPPARAJ, Spring, 1984, pen and watercolour on paper, 121 x 54 cm, collection Kobkul Ingudananda, Bangkok.

Decoration and Distance: The Work of Damrong Wong-Upparaj

VASAN SITTHIKET, Sinners are authors who write stupid stories, leading people into passions, clinging onto the fuss and nonsense as essence. Their skulls will be driven wide-open,

The Agony and the Ego: The art of Vasan Sitthiket

CHEEVEE CHEEVA, performance during 'The ToxiCity' International Fax Art Event at Concrete House. Photograph courtesy Concrete House.

The Concrete House: The alternative art space and its commmitment to AIDS education

CHATCHAI PUIPIA, 'Take Me Somewhere, Tell Me Something', exhibition view, 1994.

Desperately Seeking Chatchai

Montien Boonma, assisted by Navin Rawinchaikul, installing his work Lotus Sound, 1992, for the First Asia-Pacific Triennial of Contemporary Art, 1993, Queensland Art Gallery. Colle

Montien Boonma

ARAYA RASDJARMREARNSOOK, Isolated Hands Asking for Help, 1992, metal, plaster, motor oil, 180 x 65 x 30 cm, collection the artist.

Araya Rasdjarmrearnsook

KIGAO, Kuhol, 1993, snail shells and paint Photograph Wig Tysmans.

FESTIVALS: Fourth Baguio Arts Guild

IMANTS TILLERS, A Painting Which Does Not Speak II, 1989, synthetic polymer paint on canvas boards, 212.8 x 117.8 cm, courtesy Sherman Galleries, Sydney.

EXHIBITIONS: Offshore Identity Crisis: Australian art in Taipei

HOSSEIN VALAMANESH, Subdivision, 1989, corrugated iron, wood, earth, steel, 180 x 45 x 280 cm.

EXHIBITIONS: Locating The Australian Imaginary: Inner-Land reviewed

WANG ZIWEI, Mao with the Saviour, acrylic on canvas, 114.5 x 151.7 cm, Hanart TZ Gallery/Marlborough Gallery

ART FAIR REPORT: The Art of Commerce: The Hong Kong Art Fair and Guangzhou Art Expo

SEMSAR SIAHAAN, Panggalian Kembali, 1993, (installation) 20 x 10 x 3.5 m.

Two Decades Of Contemporary Art in Indonesia